How could I get Preferred Status? by
Silenthunder
on 2016-05-21 15:13:00 UTC
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I've been searching the Web and can't find a guide on how.
Further thoughts on SI and the rest. by
Silenthunder
on 2016-05-21 14:53:00 UTC
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IA HAS THE BEST STORYLINE EVER. I cannot tell you how much I enjoyed the plot twists, and the irony, and AAAAH IT WAS SO GOOD!
JC... Yeah, that one is slow to start, but once you get to Act 2, the story becomes really interesting. I love Qyzen Fess, he's a very interesting companion. JK is basically a typical Star Wars story, but it's not bad.
SI is my least favorite, and here's why: The trailers for the Inquisitor suggests that your storyline is going to have you be like Sideous. And you're not. You become a holocron-tracking ghostbuster. And you have to act like an idiot who doesn't guess what Zash is up to when it's painstakingly clear that her intentions regarding you are bad. EPIC FAIL. The only thing I liked is that you start as a slave and have to work to greatness, which is refreshing given how the other Force storylines treat you as a talented student straightaway. And you have a ghostly ancestor visiting you 24/7. That's cool.
SW? Hello awesomeness. You get to confront your Opposite Reflection in the desert (an awesome little addition that I will love forever), become a powerhouse, become the Wrath (a position that Lord Scourge from the JK line also had, actually) get to meet the Emperor's Hand, and the Emperor himself (through the Voice)! And so on.
BH is fun - Mandalorian all the way, baby! Smuggler is hilarious - and I like that you get the option to become something of a privateer for the Republic.
Honestly, I don't understand why people hate the Trooper class so much. They say, "It's so boooring!" to which I reply, "Uh, hey guys, you are playing a soldier. Thus you take orders and don't rebel against the authorities unless you seriously have a death wish." Is anyone else with me on this? Also, come on, Jennifer Hale voices the Female Trooper!
And I got all that from just watching playthroughs of the storylines.