Subject: So, mainly true neutral?
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Posted on: 2013-01-02 21:35:00 UTC

Like, say, Niko Hal (character of mine; he's an assassin who operates by money and nothing else.)? Those characters can be pretty fun to write - how does moral-driven character A respond to monotone, disinterested character B?

Save for the part where they have a reason to care about the job and its consequences, at which point they start looking for some help in the matter, that is. Then it gets tricky, because now they need to have believable emotional output.

(Are the stones I'm throwing getting CLOSE to right, at least?)

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