Subject: She drives a ton of the plot! (Obviously, spoilers included)
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Posted on: 2017-03-01 02:13:00 UTC

She's the one who resolved the Tough Guy Stare-Off on the edge of the fire swamp by trying to compromise. An incredibly naive compromise which has exactly the opposite of its intended effect, but which determines the entire rest of the story. She agrees to marry Humperdink in exchange for Wesley's freedom. Later, she realizes that giving up the man who climbed the Cliffs of Insanity for her is kind of a jerk thing to do, and takes steps to get him back -- which fail, because again she naively assumes that Humperdink is a decent person who isn't plotting to kill her. The reason she expects Wesley to come for her is because she thinks he's in command of a fleet of pirate ships and has been sent a message explaining the situation -- the reason this is an unrealistic hope is because he's lying dead in a basement. She's perfectly proactive, but the problem is, her plans are inane. She spends so much time trying to think and plan: she's not that bright, but she shines what light she has constantly. I admire her a great deal.

--Key practically has the book memorized

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