Subject: Fair warning, the film is different from the book.
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Posted on: 2016-07-19 18:00:00 UTC

Joe Hisaishi is one of my favourite modern classical composers. One Summer's Day was the first piano piece I taught myself.

There's a lot of things they leave unsaid, or only hint at. Symbolism also comes into play. It's great that the audience (presumably the target audience remains children) are treated like they can grasp material that isn't shouted at them with a megaphone, can read between the lines, and tackle serious, unflanderized real-life issues that Disney films sometimes like to skirt over. And I love that their films are more character centred than plot-based. Heck My Neighbour Totoro doesn't really even have a plot. It's something I find much rarer in western animation.

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