Subject: Araeph's long-winded reply, part I:
Author:
Posted on: 2010-04-14 13:02:00 UTC

There's this OFC I like. She's friends with the best con man in the world even though she's married to the FBI agent who sent him to prison. She's stubborn and emotional and sharp as a whip, and even though she could do anything in the world she has a job where she makes things pretty because she loves it. Sometimes she gets hysterical and her husband leaves his job to come home and fix the things that are making her hysterical. And she once had her office torn apart by the bad guys! And then her straight-laced husband PUNCHED THE BAD GUY IN THE FACE and it was awesome and he got suspended for it. Also she's gorgeous and she's shaped kindof like me, ie: round. Which might have something to do with her actress being pregnant, but a girl can wallow in vicariously sized awesome for as long as it's available, right?

Her name is Elizabeth Burke. She's the best thing about White Collar.

There's this OFC I like. She's kindof inappropriately in love with her boss and doesn't really know what to do about it, and doesn't know that she can do anything about it.

Um, about right here is where you should have read up on your definitions of Mary Sue.

She's also the best damned helmswoman in the galaxy (otherwise she wouldn't be piloting the flagship space-vehicle), and when her captain is stupid and gets himself roofied and kidnapped and almost turned out to pasture as a stud, as it were, she takes a team down to the planet and BLOWS THE TOP OFF THE MOUNTAIN where the bad guys are keeping him. And when that appears to not work, she takes a small team inside the mountain (well: this doesn't work either,

Here would be good, too.

since all they guys on the team get left back at home, and it's just her and this other chick, and you can see where this is going, right?). So the bad guys try to make her captain choose a mate from the available females! And they tell him all about her private fantasies about him! And even though she's pretty MORTIFIED ABOUT IT,

Oh, definitely here. Mary Sues and mortification do not go hand in hand.

she helps take one of the bad guys hostage so they can escape! But then when the bad guys are twirling their collective mustaches and talking about breeding a race of artisans and stuff, she OVERLOADS HER SIDEARM TO KILL EVERYONE THERE rather than let her descendants live as genetically engineered slaves. Word of God has that she's the most beautiful, smartest, capable person on her planet for the year she was born, and that she was designed to be that way. She has lots and lots of Issues and an interpersonal inferiority complex because of this.


Her name is Number One. She's from the Star Trek Pilot film The Cage and unless you've been living under a rock these past six months you know she is my FAVORITE thing about the Star Trek franchise.


There's this OFC I like. She really wanted to be a knight all her life, and she was raised in Japanalogue so she's not good at expressing her feelings, and her parents are TOTALLY BEHIND HER in becoming a knight. But the training master isn't! He doesn't believe women SHOULD be knights cause they're weak and hysterical and easily frightened! So she works REALLY HARD and makes friends and lives with people who don't like her and has a dog and birds even though pages aren't allowed to have pets. The training master even loves her dog! And she has a secret rich benefactor who equips her with the best weaponry EVER and turns out to be her childhood hero - the only other female knight in the land! And she gets crushes on all her BFFs (okay well, just the one BFF and then the BFF's cousin) and then then the commander of this really awesome division of elite soldiers PICKS HER AS HIS SQUIRE. He is hilarious and snarky and like a grown up version of Our Heroine and that's awesome. On her first mission with him she adopts a baby griffin and it's pretty much a disaster until its parents show up and DON'T ACTUALLY KILL her even though griffins always kill anyone who touches their babies! And then when she finally gets her shield, she gets handed the command of a refugee camp! But it's okay because her old training master, the one who didn't believe in her? HE'S CHANGED HIS MIND. She's the only one he TRUSTS enough for the job! Nobody else would be able to do it RIGHT! And at the end after lots of action and kidnappings and questing to slay the bad guy, she comes home and she's not hanged as a traitor even though she committed treason by disobeying a direct order from her liege during wartime!

Her name is Keladry of Mindelan, from Tamora Pierce's Protector of the Small, and I LOVE HER LOTS.

Oh, I love Keladry of Mindelan to the ends of the earth. She’s one wonderful character, not least because she worked her ass off every waking moment to achieve all that she did and had a crippling fear of heights that almost prevented her from rising to knighthood. She’s a much better character than SuperSue Veralidaine Sarrasri.
Hmm, something in common. At least we’re off to a good start!


*


Gene Roddenberry married Number One's actress. Tamora Pierce is on-record as having said that Kel is her favorite character to write.

You can see where I'm going with this.

Yes, and good old trodden ground it is, too: the unfortunate misconception that because we don’t share your opinion that Mary Sues are awesome and cool characters, that we automatically MUST dislike all female characters who actually ARE awesome and cool!

Writing these women as they appear in canon would constitute writing them as "Mary Sues" -- They're special. They're competent, they're attractive, they have weaknesses and insecurities

It baffles me why anyone would post a long rant in support of Mary Sues without knowing exactly what a Mary Sue is.

and by virtue of being protagonists and first-string supporting characters, they warp plots and universes and other characters to their needs.

You can only “warp” a story to your needs if it didn’t revolve around you in the first place. A world revolving around a main character is only a problem if the story is fanfic and a Sue has replaced a canon character as the protagonist.

Elizabeth is Peter Burke's greatest weakness; Kel talks to the king and gets him to rescind a law she doesn't like; Number One is executive officer of the Federation Starfleet flagship despite being only a lieutenant and is "the most experienced officer on the ship," second to Pike himself, to boot.

These characters are awesome. No really, look at these characters: how awesome are they?

I’m not familiar with the other two characters, but they sound a helluva lot better than Marty Stu Eragon or what’s-his-face from Twilight.

*

Once upon a time, the term "Mary Sue" was a value-neutral genre descriptor:

Hah!

Original (female, let's be real here)

Yes, denying Marty Stu’s existence is always a good idea.

characters who entered the story, won the admiration of all the canon characters around her, who won the day and maybe developed a romantic relationship with one or more of said canon characters (usually the author's favorite).

Pat Pflieger writes her paper, 150 Years of Mary Sue:
The Cinderella portrayed by Drew Barrymore in the movie Ever After, especially, is everything that defines the Mary Sue -- intelligent, funny, beautiful, physically strong, competent, lovable -- but there isn't the hint of self-deprecation we see in some of the Mary Sues cited above. From Schumann's paper, we get a sense that young teenaged girls now aren't as willing to abdicate their natural powers as were girls of previous generations; it's their right to be competent and strong, and to carry off the occasional prince over their shoulders.

The term was coined in 1974. It is not the value-neutral term it once was, and you only have to look so far as Protectors of the Plot Continuum (PPC) to see this for yourself. Or Godawful Fanfiction. Or marysues, or deleterius, or ...

Let's look at PPC. The website intro reads:

But changing the *main plotline* of the canon story is ridiculous. (Except in speculative AU "what-if" type stories.) And Mary Sues upstage the canonical main characters, which really should not happen. If you want to be the main character, try doing original fiction. Then you can even publish it without breaking copyright laws, maybe even get rich. But if you do that, please knock your character down a few notches from "angel".

*grins* Jay and Acacia. Gotta love ’em.

The Fanlore description of PPC reads:

Protectors of the Plot Continuum, often abreviated PPC, is a cross between sporking and an RPG. The PPC is an organisation dedicated to the elimination of badfic. It is divided into various departments such as the Department of Mary Sues and the Department of Bad Slash. Writers create characters called Agents who go into badfic, spork the story, and fix it by killing Mary Sues, exorcising OOC characters, and otherwise restoring the story universe back to its original state.

Translated, roughly:

If by “roughly” you mean “like Babelfish on 40 proof,” then yes, your explanation of what the PPC does is indeed a translation.

PPC goes around bullying tweens, teens, young women and yes: older women, too –

You could have just said “PPC goes around bullying people who write Sues”; the fact that you didn’t, coupled with your choice to list “tweens” first, suggests that you are making age a factor in your “bully” argument.

Funnily enough, “Tweens, teens, young women, and yes: older women, too—” is exactly how I would describe the members of the PPC themselves. We have some younger members, and some older members; almost all of us are young women. When we started out, the average age of a PPCer was a whopping sixteen years old. It has since gone up to *gasp* twenty and a half. We’re almost old enough to drink, we are!

For the most part, Suethors actually share our gender and age bracket. So, there is no need to bring up the youth of Suethors in your argument. (There is no need to bring up their gender, either, but I will address that part momentarily.)


for daring to write fanfiction not up to their (dubious) standards.

Hoo boy, there’s a lot of ground to cover with that one phrase.

Let’s start with:

1. Please explain to me how writers are “daring” anything when creating a fanfic Mary Sue. Yes, PPC and GAFF and the like make fun of Mary Sues, but if you look at any major fandom—LotR, HP, PotC, Star Trek—and calculate the ratio of Mary Sue authors to Mary Sue mockers…I’m afraid we are badly, badly, outnumbered. In fact, having one’s Suefic mocked by the PPC is akin to being struck by lightning in its rarity. Heck, if you want to write what everyone else in fandom is writing, get lots of reviews from like-minded writers, and have fellow writers come to your defense for any criticism whatsoever of your beloved fic, Mary Sue is the way to go! She’s not defying convention. She IS the convention.

2. We set the standards for good and bad fanfiction? We did no such thing.
The original story, the canon, set all those standards far better than we ever could. All we do is remind fans what those standards are.
And yes, writing fanfic that’s as good as canon is still a bar most fans can’t hope to reach. But you see, Boosette, the PPC doesn’t look for fic to mock near the bar. It looks past the bar beneath that bar, and the bar under that, and finally peels back the mat underneath the lowest bar and boggles at the grime found underneath. The stories by supposed fans who seem to have forgotten that the high bar even exists.

3. Please explain to me which of our standards you find to be dubious, and why.


For writing original female characters, minor canon characters and major canon characters in a manner that is empowering to them.

Again, we seem to have so much in common! We too write original female canon characters, minor canon characters, and major canon characters is a manner that is empowering to us. But unlike the Suethors, we understand that just giving a character heaps and heaps of power for no reason isn’t empowering. Neither is stomping all over the personality of a well-developed canon character just to puff up Sue’s ego. It doesn’t make the Mary Sue better, or as special as the author thinks she is. After all, any author can rain a golden shower of gifts on a pet character; why does that make the character great?

What is empowering is allowing a character to earn power for herself by virtue of the conflicts that arise in a story. Even having a character try to earn power and fail honorably is more empowering than just imbuing a character with incredible abilities and watching her take out ridiculously enervated villains.

Ultimately, Mary Sue is bowling-with-bumpers safe as a way to experience a story. She is unrealistically beautiful, inhumanly powerful, and always gets rewarded for everything she does with only the barest of struggles. She can’t fail. She can’t get humiliated. The story itself will dutifully remove all real obstacles from her shining path. And a character who needs her author to do all that work for her is not a character who has any sort of power. On the contrary, that character is weak.

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