Subject: Beta'd
Author:
Posted on: 2013-08-31 20:27:00 UTC
Well, I'd forgotten the memory-loss in Silver, so it's a good thing you made it obvious that's an actual thing...
We'll start with the easy SPG-type stuff, and there isn't a lot of it. You might want to lowercase the very first letter of the Doctor's first line - that '-- You' - to give the feel of an ongoing run-on sentence. And in his later line, 'So you’re the last, then, too?', the 'too' is redundant with the (more informative) 'just like me', so could be cut. And... that's all I'm spotting.
On the characterisation: the Doctor is spot on, I think. I like the way his mask keeps slipping on and off - it's very well done (and accurate).
Will... not so sure. It's that 'and now they're all gone and no-one remembers' line. Like I say, it's been a long time, but... at this point, is he that maudlin? Later you justify it with 'trust for trust', which is a brilliant line, but that first one - I don't know. It's a good line, but I don't know how good a fit it is for Will Stanton. The rest of the line is perfect, it's just that final clause I'd recommend a second look at. And on the flip side, the 'all gone' nature of the line is actually a reply to the Doctor, in a way, so maybe it does work...
The style, because this story has a very specific style: it works. I like the terse description ('A bitter twist of his lips'), and the frequent lack of names or dialogue tags. I don't think it would be sustainable over a long story, but at this length, it works very well.
And now we come to my main, indeed only, issue with the piece: the Doctor's first few lines. We just recently rewatched Partners in Crime, which starts with the Doctor in exactly this situation - he's in the TARDIS, babbling about something science-fiction-y, and then he stops, because there's no-one to listen.
But I don't think he would fall into the depths of illusion you seem to be writing. Here you have him not just absently babbling to Whoever, but full-on believing Donna's right there - to the point of trying to introduce her to Will. I just... can't see it.
Maybe I'm wrong, and there's something in... what was next, Planet of the Dead?... that shows he would do this. But barring that, I don't think it works.
Well, the first line can probably stay as it is. Dropping a name in there isn't too much of a problem. But the introduction... actually, I'd just cut it down to 'And this is...', and then the glance. Thinking specifically about Donna (rather than about the disturbance) would trigger the memory. And you only lose half a line.
Finally, the plot: I love the plot. I love the idea of the TARDIS being in the Book of Gramarye (and I'm assuming you've checked that spelling, because I can't). I love the idea of those two meeting. And I love the notion of Will Stanton as a temporary Companion for Ten. They would be a perfect mismatch of personalities.
hS