Subject: On curses, creative and otherwise.
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Posted on: 2015-01-08 22:41:00 UTC

I've always been a bit iffy on creative curses like "Flaming Denethor" or "Jadis in a block of ice." They always felt unwieldy in most situations. I'm pretty sure I've written a post saying as much sometime before now, but my thoughts have evolved a bit. I think writing that workshop on speech helped.

Characterization shapes how someone speaks (and a bit of vice versa). Dialogue and word choice are informed by a character's background and personality. That means by extension, characterization also shapes how someone swears. Hot-headed Laura Dukes and happy-go-lucky Rachel Calendar are not necessarily going to be using the same curse words at the same rate.

The vast majority of curses are quick, forceful expressions. Even the invented fictional ones typically are: shazbot, frak, frell, bosh'tet, and so on. Big elaborate curses like "Radagast on a bunny sled" only work if they seem like something the character would say. I typically associate such profanity with either very large hams, the vaguely eccentric, or certain period piece characters. I could hear Bertie Wooster saying something like that, for example. ("Great Radagast on a bunny sled, Jeeves!")

Such phrases don't feel right coming out of the mouths of most agents, who are typically contemporary young adults. As such, having them say something like "Scottish Dain on a battle pig" feels a bit too much like the author stepping in and inserting something they think is humorous just because they can. It's very forced, in my view.

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