Subject: Sounds like fun!
Author:
Posted on: 2014-09-20 03:43:00 UTC

9/ Worth It (if you stick around)

It's possible to be such a critic that you lose sight of what could possibly keep you. It's a good thing his heart is made of brave scarlet, or he would never go searching for clarity. A story in which life just happens.

There was a painting at Hogwarts that never moved, no matter how long the students might stare at it. There didn't appear to be anything remarkable about it aside from how it hung on the wall. Though it was a depiction of a heavily forested landscape, it had been placed on the wall as if it were a portrait. Altered as it was, the trees took on the appearance of scraggly green bristles on a massive brush, the rolling knolls became green pustules, and the clouded sky became a sloppy imitation of a waterfall. It was appalling.

It was no wonder that few wasted the time to observe it; however, it retained a certain amount of intrigue for the students with more artistic leanings. Dean Thomas was no exception.

"Why would there be a Muggle painting at Hogwarts?" he asked, pausing in front of the painting, as well as nearly causing Seamus to crash into him in the process.

"Probably for the same reason you're still lolling around looking at it," Seamus snipped, irritated by his near miss. "It's weird. Weird things tend to stick around Hogwarts."

"Fair enough, I guess." Dean continued to watch the painting, waiting for any sign that it might spring to life. He did not look as if he planned to move any time soon, much to Seamus's dismay.

"I reckon that Potions will start in a few minutes," Seamus prodded.

"Yes, I think so," Dean answered absently.

"Don't you think we should, I don't know, actually go? I don't much like the idea of losing twenty house points."

That got Dean's attention. He snorted, turning away from the painting at last. "You'd lose them the first time you blew up your draught anyway," he said.

"Oh yeah? I bet you a Galleon that I don't blow up a single thing today."

Laughing, Dean started walking to class once more. "I'll take that bet. I hope you're not saving up for Hogsmeade, Finnigan. You won't have two knuts to rub together by the trip if you keep throwing your money away like this."

"Very funny. I'll have you know that I have great odds today. Hermione told me that we aren't working with anything that reacts violently in Potions this week, modifying Cheering Charms isn't going to make anyone spontaneously combust, and I can't exactly set a transfigured mirror on fire, now can I?" Seamus grinned. "Just watch, I'll be flush by the end of the day."

Seamus proceeded to set a record for himself in producing four explosions in one day, only one of which was magical in nature.

[Time skip of doom and subsequent abrupt transitions because this is already longer than intended and I regret everything]

Later, Dean returned to the motionless painting. Down the hallway he could hear the clamour of students returning to their common rooms from the Great Hall. Sometimes he stayed as late as he could when it was a mealtime, but he left as quickly as possible just as often. There weren't many times when the hallways were free of students, save for the dead of night, and breaking curfew had long since lost its air of rebellion. It just felt nice to be alone sometimes.

Unaccompanied as he was, Dean had all the time he needed to observe the painting. He spent most of it tilting his head to the side. The first thing he had concluded was that it was beautiful from the correct perspective, but the way it was placed would prompt tears from its creator. He had entertained the notion of it being a sort of modern art, but had ascertained that it was much too old.

The second thing he ascertained was that it was hiding a door.

Dean had spent years living with a mother who was extremely fond of daytime telly, so he felt he was something of an aficionado regarding hidden passages and forbidden affairs. Knowing that the two were almost always intertwined, Dean found himself unwilling to open the painting door. He had no desire to see people snogging behind the painting, especially considering he was just as guilty of liaisons behind tapestries and in passages of all sorts as any unfortunate couple he might spy.

Considering these factors, he very slowly and deliberately knocked on the wall to the left of the landscape. When no answer was forthcoming, and there was a definite absence of students rushing out of the painting, he decided to take a chance. He took one deep breath and opened the door.

"Well, that's anticlimactic."

Before him lay a round, nearly bare room. The only thing adorning its walls was a single scarlet cape, embroidered with a heart, and a piece of parchment pinned to it. Upon further examination, the paper read, "Thif is to fay that Gregory shalle ne'er lay eye on his cloak if he e'er again mocks the artes. - Professor Claerty Hathorne"

[Surprise. I wrote this monstrosity to lead up to passive aggressive 16th century professor shenanigans.]



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