Subject: Concerning Wizards
Author:
Posted on: 2012-12-18 10:20:00 UTC

The problem I have with elves at the Hornburg is that they're the wrong elves in the wrong place. Even allowing for the fact that Galadriel could have said 'Hey, that alliance my nephew/remote cousin made, I guess that's sort of binding on me, so I'll send some of my non-high-elf chums along to help out'... the Last Alliance (which Haldir, if you recall, specifically says they've come to renew) was not with the Northmen. Elves at the Pelennor would have made sense. Elves at Dagorlad would have made sense. Elves in Rohan makes no sense at all.

Whereas scatterbrained Radagast does make sense; it doesn't run wildly counter to what we know of canon (unlike, I confess, ghost!Witch-King and abandoned!Dol Guldur).

Okay. Since you're trying to understand, and I'm clearly explaining badly, I'll go for point-by-point in the hopes that a scattergun approach will hit something we agree on. :P

Trouble is, I don't accept "it's film" as an excuse for bad storytelling.[...]

I don't think he suffered from bad storytelling, per se. I think (and will no doubt expound on at length) that they decided his character didn't need lengthy explanations when they'd rather get on with the story. He had script, direction, and acting - it just wasn't focussed on the very small area of 'how calm and collected is he'. More specifically, everything we saw of Radagast was of him in a panic (or near enough); the lack of grooming lets us know that he's always a bit out of things, rather than being that way just because he's panicking. Having a five-minute scene of him being scatterbrained in normal circumstances would have thrown the pacing off, neh?

Yes, it was over the top - bird dropping in the hair - but it wasn't bad, I don't think. So to that extent it was 'lazy' - exaggerating the visual to give us a bit of information we could have had through more subtle costuming - but, y'know, that is film. If you don't trust that your audience will notice his hair is a bit tangled, you throw bird poo at him. The dwarves were fairly played-up visually, too ("I am Dwalin. I have tattoos and drink ALE. Hello Mr. Baggins.").

I think at least ten of his fifteen-ish minutes were spent on that hedgehog, anyway.

And I bet there will be Sebastian fanfic before the week is out. :P The hedgehog was there for two purposes: to get across 'wildly involved in animals', and to do whatever they were doing with the spiders. No, doc, I have no idea what was up with 'Magic! Spiders! The magipoison draws them near and they come from the Stronghold! Aaaaah!'. I'd forgotten that in amongst everything else.

What's really confusing me here, and the source of my feeling that maybe I'm on another planet or something, is that lots of people seem to be saying this movie was awesome, they really loved it, it's better than (at least some of) the LotR movies, etc., in spite of its flaws.

I would say: the movie was fun (and funny in places), less enraging than at least Two Towers - see Haldir-related comments on canon - and, yes, awesome to watch. I think the difference may be that you and I were expecting different films - you seem to have been wanting to watch an epic fantasy, whereas I was anticipating something even more children's-book-like than what we got.

I mean, just to continue with this one point as an example, you agree that Radagast's character is a stereotype,

I think doctorlit explains this better (more concisely) than I could, so I wont' try to repeat it. :P

that it's bad for quick visuals to trump writing,

Yes - but as gone into at length above, I don't think this happened. I think they used a quick visual to convey one aspect of a character - his nature in peace-time - that would otherwise require restructuring an entire scene.

that it's dumb to have him witness the corruption of the Greenwood in real time,

Yep. But I don't know what they plan to do with that. It's not dumb per se to have Greenwood be corrupted virtually overnight - it's just that this is the wrong time for it. So that comes down to a canon break, not Radagast specifically. And I did say that I disapprove of what they've done with the non-Hobbit-book canon material.

that the stick-insect moment was bizarre,

But funny. :P 'Oh, it's not a thought - it's a stick insect'. And this is a film that focusses more on humour than LotR did - but not by turning specific characters into comic relief, thank Varda. Wait, thank Vana, she's probably the closest thing to a Muse of Comedy in Arda (Springtime, right?).

and that he was overall jarring,

Did I? I don't think I meant to agree with that. :P He would certainly have been jarring in LotR, but so would most of the dwarves - especially The Stupid One (actually, he was more jarring, back at the Party. I'm kind of glad I don't know which one was wrecked that way) - but that's epic fantasy, and this isn't... not quite.

It's a different film series, and while Radagast is quite... strange to someone expecting LotR-style realism (hyperfast rabbits?), he's certainly no Jar-Jar. He may (I'm speculating here) have been aimed at the younger members of the audience - or he may have been an attempt to write a character who isn't actually in the books into someone amusing yet important - or he may have been both.

Or neither. I'unno.

but you still liked him, or at least didn't mind him. Was there really something so good about him that it overcomes the flaws?

I liked him. He was funny, and he doesn't discord with my ideas of how Radagast should be. Not to say he exactly matches what I would have expected, but he isn't in active opposition to what I would picture. That doesn't appear to be the same for you, which I suspect is where the difference lies.

It comes back to Haldir o Rohan, really. Phobos didn't mind Elves at the Hornburg because he was more concerned with how the story hung together in isolation than with how it fitted (or rather didn't fit) with the original canon. I don't object to Radagast because I see him more as a portrayal of how the book character might be rendered into film than as a dissertation on perfection in filmmaking.

Or, honestly? I don't know. I'm making this up as I go along. All I really know is, when it wasn't butchering the backstory, I enjoyed the film.

hS

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