I quite liked it, myself.
First off, as a film: I described it at the time as a mix between The Hobbit and LotR - not quite epic fantasy, but a lot more than the children's book. A fair number of people here have said they disliked that - I disagree. I think it worked well - the light and the serious in the same story.
Particularly given the framing device - that this is Bilbo's version written specifically for Frodo (as opposed to 'My Diary - My Unexpected Journey - There And Back Again - And What Happened After' - that telling of a lightened-up-epic-adventure is pretty much what you'd expect. Frodo is turning 33 on the day Bilbo thinks of writing it - or in Mannish terms, 18 or so. A fairly lighthearted story with some blood-pumping action scenes is about what you'd give him to read at that age.
But I also thought it worked for the audience (of which there were... um, not much more than a dozen, for some reason). The pocket handkerchief probably caught my attention first on this front - we have Bilbo's childish demand to turn back because he's forgotten his (similar to the book), but instead of someone having a spare, Fili (I think) throws him - a bit of his coat he rips off. Which is realism but also funny.
I also liked the way they used the songs - while carefully cutting out things like 'Tra-la-la-lally'. It is a shame about Fifteen Birds In Five Fir Trees, though.
On the filmic aspects I didn't like: the Goblin King was not very nice to look at, and didn't really seem to fit with his people. He seemed like he was about to pull out a novel or something. I can see why they did it - in fact, I agree that it's a good way to go with the character - but... not and make him look like that. The Hobbit is not a film you make to play games with your audience.
... kind of the only thing, really.
Okay, the adaptation. First off, the main plot:
Yeah, they mangled it around a bit. Thorin arrives late to the Party, they're not even heading for Rivendell, Bilbo loses them earlier, the whole Five Fir Trees scene was scrambled. But... really, they're not
significant changes. Most of them - even the minor ones, like the way the troll scene ended - are within the realm of 'Well, I remember that differently, Bilbo!'. That troll scene - they used Bilbo, not Gandalf, to play for time, and then Gandalf broke a rock. Well, you know, the whole thing where the sun SUDDENLY was up and turning people to stone never made sense to me. Sunrises don't
do that. Whereas stalling until sunrise and then
making a way for it to get in is pretty darn clever.
(And yeah, they cut out the giant talking eagles and the 'let's have cooked breakfast in the Eyrie' scene. Can you blame them?)
As for the specific characters: I admit I can only identify about half the dwarves (Thorin, Fili, Kili, Gloin because I was looking for him, Balin, probably Dori, Bombur of course, and... one I gather is Bofur? Although I didn't get his name at the time. The Cossack). On the other hand, in the
book I can only do Thorin, Fili-and-Kili, Bombur, and Balin. So that's kind of a plus.
I liked Thorin. My main problem was the amount of time he seemed to spend lying on his back with half-lidded eyes, glowering at people. But I liked the Lost Prince vibe.
Gandalf... um. Ian McKellan's a fan, isn't he? I actually think he overacted a lot of the lines from the book (I am Gandalf, and Gandalf... hmmm... hmmm... means ME), which is exactly the sort of thing a long-term fan would do with lines they know (think of people declaiming 'To be or not to be' - that sort of thing). But when he
wasn't overacting, I liked him.
And I adored Bilbo. To the people who say he was barely in it - well, he was barely in that part of the book, either. He pretty much tags along and gets picked up by dwarves. The only things he
does after leaving Hobbiton are a) bungle the troll scene, b) alert Gandalf to the goblins, and c) the Gollum scene. So this version was a
lot more pro-active. And very well acted, in my opinion.
Specific scenes: Riddles in the Dark was very good. I felt for Gollum, I really did, and again - it was more serious than the book, but less than LotR. The problem of how to make a hungry monster volunteer for a game of riddles was well handled - and made
use of Smeagollum, rather than just putting him in for fun.
Five Fir Trees was very much scrambled, but... again, it worked. (I assume none of the dwarves were in a position to go and help - we saw that with a couple, but it could have done with highlighting for the others).
(And I like the Stone - not Storm, Hellga, I think you misheard - Giants. They were fun. ;))
Um, essentially, and unlike 'Faramir is evil! Sam turns back! Elves go to the Hornburg! Flaming Denethor!', none of the changes broke
character.
If Thorin had been faced with an archenemy, he totally would have gone murder-happy. The only character changed was Bilbo - but we watched him gain more confidence during the film than he did in the book, so it didn't bother me.
So: as an adaptation of the book plot, it throws it around a bit, but not badly enough to bother me. But there's another aspect: the history.
Oh
stars they messed that up. A quick count:
-Thror's gold-fever: actually pretty canonical, but I saw someone mention it.
He wore a Dwarven Ring of Power, guys. The Seven are canonically attested to not sway Dwarves to Sauron, but rather to turn them inwards and fill them with gold-lust. So yeah, he probably would have been. And, Neshomeh, I didn't get the 'Smaug showed up because' vibe - I guess that's an interpretation, though.
-Azog, Thror, Khazad-Dum and Nanduhirion: Oh dear. That was a
royal mess. From 'Thror enters Moria alone and is killed by Azog, so Thrain, Nain, Thorin and Dain wage war and kill him (but are scared off from entering Moria by Durin's Bane) we get 'Thror is killed in battle by Azog, Thorin fails to kill him, he goes wandering across Eregion hunting dwarves'. Yeah, pretty sure the Rangers would have something to say about that. 'The Wargs have come west of the mountains' is a significant thing in LotR - not so the movie version, since they were happily wandering over there all the time.
I don't think they
needed a running villain - but it's the same decision-making process as brought down
Dawn Treader, when they decided they needed to turn the book into a quest for seven magic swords. And no, Orcs - even Orcs from Gundabad - shouldn't be running around in the daytime (though did anyone notice how fast night fell after Bilbo returned near the end?). So I disagree with this change - I think it was pretty pointless and stupid - but fortunately, it wasn't that
big a change. It lead to angsty!Thorin, some pointless Wargs (and Rivendell Lancers, which are
from a computer game), but not much else. So there's that, at least.
-Radagast: I have gone on
at length as to why I like this Radagast. I won't even try to rehash it here.
-The White Council: Again, I have no problem with them meeting while Mithrandir was in Rivendell anyway. They met several times as it is. I think Saruman was well-written (and very scathing - but as mentioned in the Radagast post, he
never got on with the Bird-Tamer), and I liked the Galadriel-Gandalf interaction. I'm assuming Apparating!Galadriel was for dramatic effect, not an indication that she can either teleport or trap Gandalf in an illusion. Not sure what they were forshadowing with that 'If you ever need me' line, but I'm sure we'll find out.
-The Witch-King: Oh... dear. Assuming that was him in Dol Guldur, I
guess Radagast would be able to see him - like Glorfindel, he was in Valinor at the time of the Trees, so he should live in 'both the seen and unseen worlds' (even if being a demigod doesn't automatically give him that power). But. Er.
'After the fall of Angmar the men of wherever took the Witch-King's body and buried it deep underground, blah darkness, blah never find, BUT LOOK SWORD'.
... which part of
No living man may hinder me did they miss? It's not like Tolkien was subtle about this, you know - Merry's attack specifically 'pierc[es] the sinew behind his mighty knee', not some ethereal wossname. The Morgul Lord isn't a
ghost - he's essentially a terrifying invisible zombie. The one thing he isn't is
dead.
The
only way I can reconcile that is by assuming the unheard name of who buried him (yes, I missed it) was his own allies, and that's just what they said when captured. But I don't think so, somehow.
So, final tally: I liked it as a film, wasn't too bothered about the plot changes, and was squirming through several pieces of the introduced extra plot. But overall, I enjoyed it, will see the other two, and will hope they mess things up less, not more, next time.
hS