'The Right Kind of Doctor', or Three Jacks Walk Into A Plothole [Torchwood PPC Mission]
This trailer has been approved for general audiences
The screen is black
NARRATOR: In a land of words and a time of badfic, the destiny of a great canon rests on the shoulders of a character replacement. His name...Jacques.
(cut to Jacques Bonnefoy, dancing around his RC. He is waving a rapier around and singing at the top of his lungs.)
NARRATOR: When Jacques Bonnefoy gets a call...
(shot of Jacques silencing the console)
NARRATOR: ...he will return to Torchwood to save the day.
(shot of Jacques stepping out of a portal)
JACK: (offscreen) I was wondering when you'd get here.
JACQUES: I need your help.
(shot of Jacques staring at a Sue in horror; cut to him talking angrily into his wriststrap)
NARRATOR: The task before him will not be easy.
(cut to Jacques watching angrily as in-fic Jack yells at his Sue daughter)
FIC!JACK: What are you wearing?!
(flash; camera zooms in on fic!Jack)
FIC!JACK: Your only 17!
(flash; camera zooms out. Jacques is glaring)
NARRATOR: And to keep his sanity...
(shot of Jacques turning sharply and walking through a portal)
NARRATOR: He will seek out help.
(shot of Ianto Jones, eyebrows raised)
(shot of Toshiko Sato, shaking her head slowly)
(shot of Jack Harkness, grinning and straightening his coat)
NARRATOR: This year
(shot of Ianto and Jacques laughing. Jacques is waving his arms around as he makes a point)
NARRATOR: Experience the chaos.
(flash: shot of Jacques and Jack confronting fic!Jack)
(flash: shot of fic!Jack yelling, red-faced, as the Sue clings to Gwen)
(flash: shot of Ianto grinning. Flash: shot of a girl snatching a book from the Sue's hands and throwing it into the garbage. Flash: Jacques glares at the fic; Jack turns Jacques' head and kisses him)
(cut to black)
(fade-in shot of Jacques standing surrounded by mini-Reapers and smiling at fic!Jack)
JACQUES: I've got an idea.
(flash: a house in the middle of nowhere. Flash: Gwen and Rhys running out of the house. Flash: a helicopter swings through the sky, shooting as it goes. Flash: Gwen stands up in the back of a careening vehicle and prepares to fire a bazooka.)
(Shot: back to Jacques, now smirking)
JACQUES: And you are not going to like it.
(cut to black. Title slowly expands to fill the screen)
Three Jacks Walk Into A Plothole
Coming later this year

Seems like a comedy from the narrator's words in the opening, ahha. But I figure that might be what you're getting at, if you're in the fic as well.

Okay. Let's see. I got some chapters of Exquisite Corpse coming out soon (maybe Tuesday?), so...

The Exquisite Corpse Novel Season Finale [Star Trek Writer AU]
The following preview has been approved for all audiences.
This music begins playing as we open out onto a shot of Boston
KIRK: (V.O.) Have you ever heard of the Exquisite Corpse?
(insert shot: six writers and an editor gathered around a coffee table. KIRK is one of them; he has just pitched that idea and gotten a couple headshakes.)
MCCOY: It's a game of Consequences. You write part of a story and have someone else continue what you've started without looking at your section.
SPOCK: The readability of such a novel would be low.
KIRK: Ever heard of fun, Spock?
(insert shot of the writing group, with the caption "Six writers. One novel.")
(shot of SCOTTY writing in a mechanic's shop.)
SCOTTY: This novel's set in the 23rd Century, after faster-than-light space travel has become possible. It focuses on the story of Peter Taggart and how he becomes the captain of the USS Enterprise.
(shot of NYOTA taking pages from SCOTTY, laughing)
NYOTA: You based Taggart off Kirk, didn't you?
SCOTTY: As you based the Vulcans off Spock, I suppose.
NYOTA: That Vulcan Lazarus and his relationship with Taggart is going to be fun to write, I can tell.
(shot of KIRK looking up from his tablet at SPOCK)
NYOTA: Maybe you should talk to him.
KIRK: Are you trying to set us up?
NYOTA: Do you really think I'd set my sensitive best friend up with someone like you?
(jump shots of KIRK getting up, walking over to SPOCK)
KIRK: (V.O.) I've never felt this way about someone before.
(brief shot of KIRK and SPOCK kissing)
(shot of SPOCK storming out of the New Year's Party)
SPOCK: You are a mistake I do not intend to repeat.
(shot of OLD SPOCK talking to SPOCK)
OLD SPOCK: Don't make my mistakes, and you'll be fine.
(shot of KIRK kissing SPOCK's hand in a restaurant)
(shot of the scene being photographed)
(shot of CHEKOV finding it on the internet)
CHEKOV: Why are there pictures of you and Jim on this Tumblr?
NYOTA: They're circulating rumours about Spock, too.
SPOCK: I do not know why they are intruding on my privacy.
(shot of CHEKOV handing MCCOY several pages)
CHEKOV: The novel is being finished at last.
MCCOY: God help us all.
(shot of the group seated around another table, stacks of the manuscript in front of them.)
(shot of KIRK storming out into the rain)
(shot of EDITH KEELER, smiling at either KIRK or MCCOY)
(shot of SPOCK angrily scrawling on a whiteboard)
(increasingly rapid shots of: the group talking, the group writing, SPOCK and MCCOY instant-messaging, SPOCK and KIRK standing across from each other in the kitchen.)
SPOCK: You emotionally compromise me like no other.
(Cut to black. Title fills the screen.)
The Exquisite Corpse Novel: Season Finale
coming soon

Sounds like an interesting challenge! Hm...

Okay, let's do it!

Fic Preview- They Who Fight Monsters [Mass Effect/Beyond: Two Souls]
The following restricted preview has been approved for an M-rated audience...
Ominous version of the theme of Beyond: Two Souls plays.
(shot of Jodie waking up in a metal alley, looking around frantically)
JODIE: Aiden? Aiden, are you there?
(shot from Aiden's point of view from where he hovers above Jodie. fade to black.)
Music shifts to the Mass Effect theme.
(Shot of Jodie walking down the alley in question, her footsteps rather slow. During this shot, a series of second-long shots fly by, in time with Jodie's footfalls. In the following order:
-Jodie fighting an armored turian.
-A black-armored mercenary being flung with great force into a C-SEC office, a blade pinning him to the wall.
-Ashley Williams and Anderson being shouted at by an unknown person: at this, the words "Trust goes both ways" ring out via voice-over.
-Jodie and an unnamed quarian running through a street that looks like it is on the Citadel, live fire flitting by all over them.
-A human-looking something strapped to an arm-chair, a green liquid flowing out of its eyes.
-A shot of the Illusive Man being confronted by a holographic Jodie. As this shot goes by, Jodie's voice shouts "how do you sleep at night?"
-A shot of Tali and Shepard in an intimate embrace.
-A batarian vomiting blood onto the floor of a cell.
-A slightly extended shot of Jodie running from an unseen assailant, her scream halting the music.)
(Smash cut to black.)
JODIE (via narration): Whoever fights monsters should see to it that in the process he does not become a monster.
(Shot of Jodie looking up at Commander Shepard as he enters the C-SEC office. The shot frames Shepard's face as he gets closer.)
JODIE (continued): And if you gaze for long into an abyss, the abyss gazes also into you.
They Who Fight Monsters
Now on Fanfiction.net

https://www.fanfiction.net/s/10151917/1/They-Who-Fight-Monsters