Subject: I'm not usually an HP shipper
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Posted on: 2014-02-03 16:27:00 UTC

But from what I read, my take is that she regrets pairing them up not because there's any specifically better ship, but that she feels that how she paired characters up towards the end of the series doesn't reflect how she feels about them now and how they could have grown.

... Which is perfectly valid, I think everyone who has written original fiction and gotten characters together has at least one pair where they look back and are like "You know what, that doesn't work as well as I thought it would."

I also think that it might be part of the backlash that she's occasionally gotten for having so many characters paired up by their late teens and presumably married only a few years after that. Although it happens in real life (and seems to have been common in the UK in the late eighties and early nineties, if the amount which stories from that time mention couples that young is any indication,) it's very different from the reality known by the fanbase, which is people who were being born in the late eighties and early nineties.

Personally, I saw the Ron/Hermione ship coming as early as second year (I was also a fan of Lloyd Alexander's Chronicles of Prydain, so I was no stranger to shipping the people who bicker the most,) but wasn't 100% sold on it after the bird incident in sixth year. Hermione's temper and developing ruthlessness, especially with her magic, didn't sit well with Ron's blunders. She's got a tendency to lash out at Ron far more than she does anyone else, and I didn't think that was going to make a great marriage.

Harry and Hermione always seemed like family to me, so I don't think it was actually necessary to have a marriage within the Golden Trio. Actually, I was on the fence about most of the student pairings in the last two books because 1) I felt that everyone involved was too young for the pairings to be permanent, 2) Many characters who were paired weren't given equal screentime and so pairings came off as very uneven, since we didn't know enough about one of the parties, and 3) I think Rowling is much better at writing mystery plots and children than she is at writing teens, and she fell into the trap of thinking that romances are absolutely necessary to writing teens or marketing to them. (Or just into the writing trap of wanting all her literary creations to pair off and settle down.)

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