Subject: Well, I certainly tried to acknowledge it.
Author:
Posted on: 2013-09-04 08:04:00 UTC
To sit solely in my favourite example, LotR, you... actually, I'm going to run through your examples one by one, because they hit some points I'd like to/tried to make.
-Arwen gets character development. Well, her character certainly 'develops', but since that development is from 'fearless sword-girl' to 'does everything Daddy says even when it's stupid' to 'ODE MARRIAGE MAKES CHILDREN!?!?', I'm not sure that's a positive... ;) But yes, she gets screentime, and given that the romance is a significant (if not major) part of the plot, I have no problem with that. My problem with the treatment of Arwen is that it was wildly inconsistent - and pretty darn illogical in places. (As I've seen mentioned recently, the way she talks in her introduction, she knew Frodo was deathly ill - so why was it she decided to start out by playing 'Let's put a sword to the North's greatest fighter's throat and hope he doesn't kill me before he knows who I am'?)
-The Ring tempts everyone. This seems to fall into two categories. On the one hand, we have scenes like Boromir picking it up on Caradhras, and various 'hey look it talks' scenes. These, I have no problem with. On the other hand, you have Faramir. Who, apparently, they did the whole 'let's show my quality by kidnapping!' thing to show that everyone is tempted by the Ring. Only... two things. No, three:
1) That is a perfect example of 'I know better than that 'Tolkien' bloke'. JRRT specifically wrote Faramir as not giving in to temptation. It's not like it never came up - the character faced exactly the same dilemma, and the canonical version did the opposite to the film version. To me, that feels very much like the scriptwriter thinking they can write stories better than the person they're adapting - which was a major part of what I was complaining about.
2) Faramir didn't give into temptation. We know what the Ring tempts people to do - take it, by force if necessary, and use it themselves. Not take it to their father.
3) Even ignoring the way they got there, Frodo and Sam being in Osgiliath opened up a slew of plotholes which never got closed. First, they ended up walking further after, without Faramir ever giving them the extra food they needed - and given that the lembas got chucked away later, the films should have ended with two Hobbits starving to death. But secondly, a Nazgul saw the Ring was there. Sauron launched an all-out assault on Gondor, ahead of schedule, because he suspected Aragorn had the Ring. Why didn't he throw everything he had at Osgiliath as soon as the Nazgul detected Frodo? For that matter, why didn't he connect the dots once he captured a short person in Cirith Ungol? The side-trip to Osgiliath, triggered by 'I can write Faramir better than Tolkien', was not well-written, and its consequences were ignored.
-The long hobbit birthday party gets trimmed down. And that's good! Or at least acceptable. Like I said, I understand that it's a different medium; things have to be cut, and tweaked around to make the cuts make sense. I'm not actually sure it was cut that much: mostly the book just tells us what has already happened, and we did end up with long sequences involving Merry and Pippin. But yes, things were cut, and when they're not significant to the plot, or can be worked around, that's okay.
-People actually talk like people talk. And again, that's adaptation for you. What works on the page doesn't always work on the screen (and vice versa), so of course they had to tweak and change the lines. I don't object to that, or to other changes made to make the thing filmable! What I object to - strongly - is changes made for no good reason, which aren't well thought-out, and which serve only to promote the filmmaker's 'vision' as more important than the author's.
(And to head off a potential point - yes, I'm sure there are screenwriters who are better writers than the authors they're adapting. That's not the point. If you're adapting something, you try to make something close to the source - or you should)
hS