Subject: I have so much homework to do but I have to post
Author:
Posted on: 2016-11-30 05:29:00 UTC

Because no one is bringing up the parts I thought were important! (SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS ahead!)

Sometimes, rarely, I latch onto a character and see every scene from their point of view. I reflexively invent a running commentary of their thoughts and feelings. While watching this movie, this happened to me. . . with Credence. You can imagine how upset I am.

I think it's totally amazing that this character, mentally ill as the result of trauma, isn't just a danger that had to be stopped. He has hopes and dreams and people he cares about. And the GREATEST THING EVER is that when the team from MACUSA comes to shoot him down, they look needlessly violent: our heroes were well on their way to talking him down. They could have calmed him, gotten him into treatment (not that they were likely to have any decent mental health treatment in this time period, but this time period didn't have Nifflers either) -- his death was a preventable tragedy stemming from governmental over-reliance on militarized law enforcement.
And this happens in real life.
And all those kids I saw in the audience will hopefully internalize that Credence didn't need to die and grow up and make the world a better place.
Who knows, maybe that's all a load of dingo's kidneys. But it might not be and that makes me hopeful.

So yeah, the only character I was seriously invested in probably won't be showing up again. And there seems to be little chance of Newt/Jacob happening (although it NEEDS TO), so I'm not likely to watch the rest of the movies.

Other things: my mom is a total nerd about Jewish New York history, and she pointed out that if Jacob Kowalski is living on Orchard Street, he should probably be Jewish, but his last name isn't a Jewish last name. However, Tina and Queenie are Goldsteins, a very Jewish last name, and it's kind of weird that Queenie is blonde. Basically, I want more of their family history.

Although maybe I don't, considering how adeptly their family history is handled in the movie. Could anyone tell what Tina's relationship to Credence and the New Salem-ers was? I was confused, as were the two people I watched the movie with and the two people I asked afterwards. . . help!

One last point: if MACUSA is apparently progressive enough to elect an African-American woman president, why is she the only POC in a position of any power? The only others in the entire movie: foreign diplomats (different governments, don't count), a nurse/executioner (who didn't seem to give orders, just to carry out her particular job), and. . . no, wait, I think that's it. All the Saints and the donkeys they rode in on.

--Key has been taking an African-American Film History class and may never be able to watch mainstream movies again.

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