Subject: Not shown: me, screaming. (Again.)
Author:
Posted on: 2018-05-04 16:32:00 UTC
May I, like, save this to a flash drive or something...?
Subject: Not shown: me, screaming. (Again.)
Author:
Posted on: 2018-05-04 16:32:00 UTC
May I, like, save this to a flash drive or something...?
DD ALERT, DD ALERT.
Diane Duane herself will be at next year's CrossingsCon! 8DDDD Hopefully I will be able to go to it, as I will have graduated from college then! It IS in Canada, though, so who knows.
/pre-emptive apologies for stealing hS's thunder... Also, unrelated, but if someone writes fanfic in the Speech, and it's of a NSFW nature, does that mean the fic could HAPPEN? o.0
She slowly backed down the corridor, her breaths becoming quick and shallow when she realized the teleport had failed. She bumped into something and turned around: a dead end, just a smooth wall with a mirror. She stared back at her reflection, gaze focusing in on the way her braces-covered teeth jutted out.
Laughter echoed in the maze and she flinched, clutching her Manual closer to her. She couldn't see the source, just an endless corridor full of mirrors. She began walking, her steps hesitant, nervous.
So many mirrors. Her skin crawled as her eyes shifted to glance at her reflection as she passed.
Her knees were too knobby. Her face was covered in acne. She was too tall and gangly. Her jaw looked crooked from the hinge glued to her teeth, and her huge, dorky glasses emphasized how square her face looked.
And those pigtails. God, what had she been thinking? Never mind how much her mother told her the knotted pigtails looked adorable on her, they were hardly considered attractive at her school.
She was too scrawny. Her boobs were too big, to the point where the other girls had tried stealing her clothes, demanding to know if she stuffed her bra.
The laughter echoed down the corridor again.
Her reflections began shifting slightly as she passed, and she knew, in the way one knows when one is dreaming, exactly what each mirror was showing her. She couldn't avoid seeing it. In that one—she was a failure. She was stupid. She was pathetic. She was useless. Worthless. Ugly. A loser.
Useless. Stupid. Pathetic. Worthless. Useless. Stupid. Pathetic. Worthless.
All her worst fears laid out for her to see, and she broke into a run, the laughter getting louder. Out of the corner of her eye, she could see other faces in the mirrors, faces she didn’t recognize, some of them not even human—but whenever she turned to look, she couldn’t see anything but herself.
She ran into a circular room coated in mirrors, and when she turned around to try a different path, she found the way out had disappeared.
"Stop it!" she screamed.
"Stop it! Stop it!" her voice echoed tauntingly.
"Leave me alone!"
"Leave me alone! Leave me alone!"
She dropped her Manual and covered her eyes, sinking to the floor.
"Crybaby! Crybaby!"
"She thinks she can be a wizard!"
"She can't even pass fifth grade!"
"Hahahaha!"
She screamed, and the mirrors shattered, the glass falling to the floor with a soft tinkle at odds with the reverberating screams.
When she opened her eyes, the room was clear of glass, empty save for her, her Manual, and... herself, staring at her with a curious glee.
She stared back. "Who are you?"
The other her smiled. "You know me," she said. "I've been with you for years now... that little voice in your head, that entity looking over your shoulder, watching every last little mistake you make..." She began circling, eerily reminiscent of a shark. "Do you have any idea how stupid you were to come here? No, probably not. If you did, you wouldn't be in this situation in the first place."
The would be wizard slowly crouched to grab her Manual, not taking her eyes off the doppelgänger. "Why are you doing this?" she whispered.
The doppelgänger laughed. "Why? Because I can. It's not like you've ever tried to stop me before. Loser."
She swallowed; her palms were slick with sweat and her knees were shaking. "You're my Ordeal?"
The doppelgänger rolled her eyes. "Uh, duh." The circling continued. As she walked, she began to change, going from knobby-kneed, acne-covered, to... beautiful. Breathtaking. Poised, confident. The doppelgänger stopped, spreading her hands and smirking. "That's the problem with you... well, one of a really long list of many. You're always too busy overthinking things. Idiot. Of course I'm the Ordeal; what else could this possibly be?"
She lowered her eyes, blinking back tears. Of course. Of course. She should have known from the moment she entered the maze. Stupid, stupid, stupid.
"You are stupid," the doppelgänger said coldly. "But hey, you're not a totally lost cause yet. Maybe if you ditched your Manual and went home, put all this behind you, accept you'll only ever be mediocre at best, you might actually be worth something." She shrugged. "Or you can stay in here and die of starvation. Seems more likely. Too dumb to cut her losses and run, and try to salvage what's left of your pathetic life."
"Why are you so mean?!" She burst out. "What did I ever to to make you hate me?"
The doppelgänger was suddenly standing in front of her, eyes blazing. "Absolutely nothing. And that's what makes it so. Damn. Easy."
They stared at each other for a long minute; the silence stretched between them, tension palpable. She was trembling; the words were familiar, words she'd thought hundreds, thousands of times before, but never had they come from such a familiar face.
The doppelgänger laughed and turned away as mirrors began to fade into existence, hemming them in together. "Oh, wow, you really think that?" She turned back, and her face had changed, mirroring the wizard's again. Acne, glasses, braces, and everything else that just emphasized how ugly she was. The doppelgänger opened her mouth, clutching dramatically at her cheeks. "Maybe if I wasn't such a failure, Mom would love me!"
"You're me," she realized, her heart sinking.
The doppelgänger applauded sarcastically. "Took you long e-freaking-nough."
"But if you're me," she muttered, "then that means I'm..."
"Your own Ordeal, yes, yes. Get on the same page already, gawd."
"Shut up!" she snapped. "I'm thinking."
"In your own slow, dimwitted way, maybe."
"SHUT UP!" Her voice echoed around them. "You're not—you're—you can't just say things like that!"
A soft light flared out from around her, and then faded.
"And why not?" the doppelgänger said, before she had a chance to wonder at the light. "You've been saying them to yourself for years! Why stop now?"
"Because... because..." She trailed off, closing her eyes. Every instinct in her body was screaming at her that she was about to say something she couldn't take back; that what she was about to say couldn't possibly be true, but if this was her Ordeal, and her small act of defiance had caused that light to appear... maybe this was what she had to do. Maybe... she just had to believe. When she next spoke, it was with the Speech. "Because you're wrong."
Light flared out around her again. The doppelgänger flinched back like she'd been struck. "What?"
"Because you're wrong," she repeated, more loudly, and the light brightened. "Because maybe I'm not the best at everything. And maybe I'm not the bravest, or the smartest, or the prettiest—but I'm doing my best, you hear me?!"
The light kept growing, and she began walking towards the doppelgänger, hands tightening around her Manual. "I took the Oath because it gave me hope! I thought I could finally make something of myself!"
"You were wrong!" the doppelgänger yelled, jerking away from the light as it reached her. "You were wrong, you're going to fail at being a wizard, just like you've failed everything else—"
"I haven't failed yet, though!" she yelled back, and hope swelled in her chest and the light brightened in a halo around her. "And if I haven't failed, there's still a chance! I can keep going and—and improving, and getting better, and nothing you can say will stop me!" She opened her Manual, running her fingers over its pages. "I will put aside fear for courage, and death for life, when it is right to do so—and I will not be afraid of myself any more!"
She pulled the stick of chalk from her pocket and crouched on the ground, beginning to redraw her spell from before, only this time, she made sure to get her name right—her real name, her name that was more than just her flaws and fears and downfalls, a name that was also her hopes and dreams and assets. Her doppelgänger screamed and raged, but made no attempt to touch her, and she tuned her out, focusing on her spell. This place, this… maze, she didn’t know what it was, but she knew it had to be destroyed before it could claim any other wayward souls.
“Alright,” she muttered to herself as she began working on the main part of her spell. “Alright, let’s see here…”
It wasn’t enough to just collapse this place like she’d originally thought. When she tried to listen to the walls, she heard nothing. Everything that was alive spoke to her, but this maze was… dead. No, not dead—worse. Darker. More ancient and evil, designed to prey on the lost and scared. How many other wizards had been trapped here when they failed to properly write their names, trapped and doomed to fail in their Ordeals?
Over the screams of her doppelgänger, she could hear whisperings coming from the walls.
The chalk in her hands was damp from sweat and her knees were covered in white dust, and still, she kept working, tugging her Manual along after her as she worked her spell. When it came to the part where she had to describe the maze, though, she froze.
What was she supposed to write? How was she supposed to know the words she’d have to Speak to collapse this place?
“See?” the doppelgänger said, breaking into her thoughts. “You’re a worthless, spineless, pathetic excuse for a wizard! Can’t even think of what—”
“Shut UP!” she roared, her shoulders tensing.
The whispering stopped for a moment, and then resumed.
She stared down at the circle she’d already constructed. This would take so much raw power to complete—if only she could figure out the words.
Her thoughts drifted back to how she’d gotten here, with her botched attempt at a teleport. Something in that spell had brought her here.
If this maze—this entity—didn’t have a life of its own, it had to draw its energy from somewhere.
From the mirrors. From its victims. From her.
Her hands shook as she wrote her name, her broken name. The name that she’d written containing only her worst aspects. And she mirrored it, and she twisted it into the warped abomination she’d found herself running from, and she sealed the circle.
“Don’t you dare!” hissed the doppelgänger.
She didn’t bother responding, instead standing up and dusting her hands off on her pants and picking up her Manual. And she began to read, weaving her spell as the doppelgänger screamed and thrashed and convulsed behind her. Sweat beaded on her forehead and she could feel her grip on her Manual becoming slick, but she pressed on. The light began to grow brighter and brighter as she continued to speak of light and life and hope. She spoke of joy and passion and of love, and the light grew brighter and the doppelgänger’s scream became even louder, threatening to drown her out.
There was a deafening sound of shattering glass, and she had to shut her eyes against the blinding light.
When she opened them again, the sky was blue and the grass was green, and a gentle wind caught her pigtails. She laughed and closed her Manual, falling backwards onto the grass and kicking her feet up in the air as she hugged her Manual to her chest.
She was still afraid, dreadfully afraid—but she wasn't going to let the fear hold her down like before. She had passed her Ordeal and she was now a wizard. Maybe not the best, maybe not the brightest, but a wizard all the same.
And surely, that had to count for something.
((Once again, a massive thanks to Delta Juliette for helping me out with this one and giving me the last bit I needed to make the spell feel right. Wouldn't have been able to do it without her.))
I jest, I jest (mostly).
I really like the spell in the new section (I've already commented on the first part, right?). The physical mirroring of the name to match the mirroring of... huh, she never gets a name, does she? Ixiwiz - is excellent, and feels very Duane-ish. I also like the idea hinted at that the House of Mirrors isn't just Ixiwiz's fears writ large - it's a malevolent entity (possibly even an entire parallel dimension?) that feeds off people's fears. That fact turns this from a story about Ixiwiz gaining self-confidence (which, under most circumstances, wouldn't in itself justify the Powers' offering wizardry to her) into one about her taking down a major problem that could practically have been designed to trap her.
There's a principle in the books that 'all is done for each' - that while you're out solving problems with your Art, the problem solving ends up helping you, too. This is very much at play here, at least in the subtext.
One thing I will highlight is the fact that in the /first/ half, you pulled all the subtext out and named it. It started off unclear, but eventually the Mirror was flat out saying 'I'm your Ordeal'. The transition to all the themes being unstated, only seen by implication, is mildly jarring; I'm actually wondering if it migh be deliberate? The shift happens at the moment Ixiwiz starts completely ignoring the Mirror, so it could be thematic.
Another thing I like is that you've done something none of the rest of us did, but all the main-series canon Ordeals do: you've made Ixiwiz an active participant in getting to the Hall of Mirrors. Where Jacob, Lise, Julia and Marisa just found themselves in the relevant locations, and Siobhan was dragged there by a parrot, Ixiwiz actively teleported there. Sure, it was accidental - but Nita and Kit didn't intend to go where they did, either.
The one question I really want to see answered - the one that makes me actually ask for Part One - is: why Ixiwiz? It's clear why the Hall of Mirrors needed to be shattered, but what made Ixiwiz uniquely suited to the task? In the other completed stories, we have geekery, rocketry, and cyber...y, all making the kids in question The Right Person to take on their various threats, but here it almost seems the opposite: like Ixiwiz was a /bad/ choice, because she was likely to fall prey to it.
What's running through my head as an explanation (I can't help it, I headcanon everything) is that maybe that's the point. The Hall of Mirrors is obviously old and powerful - if I'm right, it's an entire universe of the Lone Power's domaim - and it must have learnt caution. A confident wizard who would blow it up with fire would never be able to find it. But someone who could be her own bait - who was exactly the sort of person it wanted to feed on, and a wizard to boot, so the Lone One would be delighted to take her out - but who was at heart strong enough to overcome it... that's someone who the Powers could extend the Oath to, and let her solve Their problem and find her own solution along the way.
hS
I was more thinking about the Maze telling Baby Wizard that it was her Ordeal was just more preying on her fears/insecurities: "Yep, I'm your Ordeal, and you're an idiot for not realizing it earlier." It's not so much the Maze talking to her as it is a bit of herself that it's appropriated to wear. If that makes sense?
As for why her... something I'll have to flesh out in the hypothetical Part One. My thought process was something like this:
Baby Wiz is me, set around fifth grade. I was bullied a lot, blah blah, sad story, blah, started to internalize a lot of that, but at the same time I was desperately hoping for something, anything, to help me prove I was better than I (and they) believed. Becoming a wizard obviously wouldn't solve that overnight—it certainly didn't for Nita—but it'd be a push in the right direction, and sooner or later (later for me in the real world, sadly), Baby Wiz would've snapped and fought back, and being goaded by an enemy she knew she wasn't helpless against would have done the trick.
(As for why Baby Wiz doesn't have a name, I was still going by my deadname at the time and didn't really feel like doing a rehash of Juliette's own story, so no name it was.)
You've done a great job of explaining why Baby Wix needed the help the Powers gave her. What I'm really interested to know, though, is why the Powers need /her/ help. 'High Wizardry' (don't know if you've got that far?) goes on a bit about how brand new wizards - particularly the very young ones - are a major investment of energy, so the Powers choose them based on their ability to immediately use that power in a major move against the Lone One. (The canon confuses this slightly with Daryll's Ordeal, but Daryll is... different.) While I'm sure They would love to help out every receptive lost soul, entropy is running, and Their energy is limited. (As a potent example of this: the Planetary for Earth mentions in the last book that her infant son had a variety of leukemia. It was able to be cured by wizardry, but that doesn't mean Earth's wizards are now out curing every case. Rather, they've arranged for the non-wizardly aspects of the treatment to be leaked into the medical establishment.)
I know I'm rambling, but I just want to know whyyyyy--! ^_~
(As for your explanation of the Maze, yes, that's very clear. And I think you should name her Renesmee. >:D)
hS
Ixi is a dumb. ;-;
(What I was trying to get at was she was given the push and would've been able to shatter the Maze, but I guess it doesn't really work, does it? Urk. I'm a little ways into Deep Wizardry at the moment, I'll let you know when I get to High.)
It's two r's, one l.
(Also, what even is the mini for this continuum? Mobiles?)
As for minis: obviously that's up to the first person to use them in a mission. I'm pretty sure Kaitlyn didn't... and it looks like Nesh didn't either.
So... I'm always uncomfortable with sapient minis, and Mobiles are wizards in their own right. They're also already mini-sized - and not really monsters! So I'd argue against them.
Hmm... the thing that's popping into my head is the carnivorous cars in SoYouWiz. They're a minor enemy (like the Balrog, or Aragog), sentient without being sapient, and the idea of two-foot-long sports cars racing around biting things is hilarious. ^_^ I think mini-Lotus Esprits is a unique mini, too (whereas things like the kraken or the not-a-dragon thing are a bit generic), and using the specific make of that one car lets me avoid a generic name like 'mini-evil cars'.
So that's my pick. (Second option is the metal scorpions from Mars, but again I think they're a bit small.)
hS
Especially because most badfics for this fandom were written before A Wizard of Mars came out. Maybe mini-Takath for post-AWOM fics (yes, those are the scorpions; they were modeled off of real animals the "Martians" had, though!), mini-whatever-those-fluffy-flying-sheep-things-in-Wizards-Holiday-were for the others?
I know they used to be (Balrog, Aragog, about a million different dragons), but I admit I've not kept up with the recent OFUs and mini-creations. I feel the Lotus fits very nicely into the traditional mode, and I'm an old-fashioned sort of person so I like that; but if the more recent ones have been of the fuzzy animal variety then the flying sheep would work fine.
(I'm also, generally speaking, against minis which look different 'depending on'. Mini-Balrogs all looked the same and liked it! See previous 'old-fashioned curmudgeon' comment.)
hS
Lots Of Trouble, Usually Serious. =]
Sometimes the worst enemy really is yourself.
/Optional!Hugs
The sky outside the window of the Group Dynamic was warm and clear and inviting, with only the merest wisps of cloud far away. It was also an electric orange colour, as if the whole world was a street light. It hung serenely above an enormous plain, full of rich purple grasses and stubby, thick-trunked trees like fat acacias. There was one close by, and Siobhan could see a bright white fruit hanging from its boughs. Without really understanding how, she knew it was delicious, some distant bit of human ancestry screaming at her to eat it and find more.
The distinct lack of Norwich only made it more enticing.
The three Nigerian wizards from the next table over were the first to investigate, creaking open the door of the Group Dynamic as they cast a few spells to enable them to breathe. As intoxicating as the view out there was, Siobhan's head was still turned by wizardry, even - perhaps especially - when put to such casual use. She was watching closely as they stepped outside, but didn't quite see them leave. A blink at the wrong moment. She never was much cop at staring contests.
Seeing them out of the window, though, they seemed... happy. Much happier than they had in the pub. A few more wizards joined them, fascinated by the country they saw outside. And more. And more. And more. The hubbub was gone, now. Siobhan, Purple, and Wombat were alone.
"Why," said Wombat after a long moment, "are the bar staff still here?"
One of them made a strangled hissing noise that the two wizards understood as "More than my job's worth, guv."
Siobhan shrugged and looked at her blue Coke. "Does this... does this normally happen?"
"Eh, sometimes. But they put a sign up when they're going anywhere, and I've not seen it. Going off-planet like this unannounced? Screws up the coordinates for a claudication. Maybe I missed the memo or something, but I normally go, and Gary the Gasworks is usually pretty good about letting people on the mailing list know."
"So, you're saying that the landlord of this place takes the entire pub on a bloody interplanetary booze cruise?"
"No!"
Siobhan sagged a bit. "Let me guess. Gary the Gasworks isn't the landlord."
"Skree, chick, no flies on you, are there? How would he even fit? This gaff's not that big." Purple pecked at his pint of nuts. "Nah, Gary's just the bloke who sorts out the invites. He doesn't get offworld much, on account of how he can't move, so a bunch of local wizards help him get around."
"Wait." Wombat's voice was slow and incredulous. "Is he actually-"
"The St. Martin's gasworks, yeah. Nice bloke. He planned my stag do."
Siobhan stared into her drink for a while as she tried to process that. It felt a bit like her brain was starting to dribble out of her ears.
---
"Okay, time for another blue soft drink." Siobhan stood up. "Want anything, you two?"
"I'm alright, ta," said Purple. "Do you fancy something stronger?"
"Christ yes."
"Tough."
Siobhan came back with a tray a few minutes later to find Purple staring wistfully out of the window.
"Reminds me of Akosho Gul," he said. "I think it's the fruit trees. Probably the sky, too. You never forget your first new sky."
"Yeah," said Siobhan. "I don't think I'll ever forget this. It's so... so different."
"I just... I've got to go out and give it a try. Just one of those fruits. Don't worry, I'll ask first, I'm not a gannet."
"Okay. Just, you know. Be careful out there, alright?"
"Will do, chick. I'll save you some. Not a lot, but some." Purple took off from the pint glass and flew towards the door. "I mean, it's in my name, after all!"
Siobhan's eyes widened and her breath caught the her throat and she nearly knocked the table over as she scrambled to her feet but it
was too late
and Purple was out of the door and gone.
---
Siobhan dragged her Manual out of a pocket, brushed bits of grimy sand and desiccated crisp fragments off the cover, and slammed the book open on the table so hard that Wombat briefly became airborne. As with all uses of a Manual, it opened at the page she needed. As with all uses of her Manual, the information was couched in bone-dry academic prose and tangential examples from history, with spell diagrams beaten into bronze plaques or painted on cave walls.
"Are you okay, Siobhan?" Wombat's voice was shot through with veins of black worry like a marble statue.
"Emics and etics," Siobhan replied.
"Eh?"
"In-group and out-group analysis," she mumbled, along with more stuff Wombat couldn't hear.
"... Eh?"
"I'm an idiot. A massive, massive idiot. I got so caught up in magic and everyone else's magic that I forgot what was going to happen."
---
Purple soared through the door, dimly noticing the flash behind him, and he danced through the air until he collided bodily with the voluminous bum of an extremely confused elephant.
Once he shook the stars out of his vision, he looked around at the array of wizards...
Crammed into the Colman's mustard museum.
"... Oh, SKREE!"
---
"The fruit tree outside. I saw white, which is weird because fruit isn't white, it's brightly coloured to attract people to it. But Purple saw a purple fruit, because I want answers and he wanted... I dunno, lunch? The point is, what did you see?"
"... I thought we were floating in deep space or something."
"Because you don't really want anything, at least not that can be shown outside a window."
---
"You don't understand, Patience, she's not on errantry, she's on ORDEAL!"
---
"So, the question is: If something is so strange, so tempting that nearly every wizard in the building ran out to investigate, why didn't the snakes? No job's that vital, even bar work. Especially not bloody bar work."
"Okay..." Wombat looked even more frightened.
"So we've got snakes, we've got temptation, we've got a weird fruit. You see where I'm going with this, right?"
"Oh."
---
"I can't get into the pub," one of the orbs shrieked. "Something's blocked it off from me!"
---
"Took you long enough, didn't it, lad?"
Siobhan spun around to see one of the tree snakes glaring at her, a look of pure loathing in its eyes.
"I - I'm not-"
"Why are you so intent on denying who you are? Why do you think people can't tell? You love answers so much, answer that one, boy."
Siobhan felt the tears trickle down the curve of her face. Inside, she felt nothing at all.
"I'd like to speak to the manager, please."
"And what are you gonna say, boy?"
"The only thing."
---
Purple spun in mad, electric circles above the Princes Arcade, trying to cast a spell, any spell.
"SIOBHAN!"
---
The manager came down, and she was androgynous and dressed well and as beautiful as a dying star. "Now then, little wizard, how can I help you?"
"Fairest and fallen," Siobhan said, her voice thick with the effort of not stammering, not giving in, not letting everything win, "greetings and defiance."
Really, snake, really? I know why they went there but did they really have to go there?
Also, holy crap, "The only thing." is such a wonderful line. You've captured the entire point of Wizardry in three words and that's beautiful.
(I seem to be saying that a lot.)
The main thing running through my mind is: what does the Lone One want? This can't all be just to muck about with a fledgeling wizard; Ordeals are more about wizards stumbling into Its plans, not the other way round (though as always, Cousin, there are no accidents...). So what sort of plan would include the step 'entice a bunch of wizards to leave a pub'...
... I can't wait to find out. ;)
hS
The Lone Power's going to get Its (well, Her, this time) face punched in if It keeps using that insult, though.
hS
... REALLY PRETTY, I tried to fit in the Subject line and failed. XD
This is going to be fun. :)
I'm guessing this is a link hub to the completed stories? In which case, gorgeous! If not... still gorgeous. =]
Speaking of which: are you going to finish yours? You can't just leave Siobhan stuck in Norwich forever; surely you can't be that cruel! (Also Jacob the Senior will be sad if one of 'his' probationary wizards just goes missing like that... ^_~)
hS
Currently working on the fifth chapter now. This is where things really kick into gear a bit, and the nature of Siobhan's Ordeal becomes clear.
That's gonna be one pretty archive. ^^
I've been seriously impressed by the magic circles, by the way. The amount of work you're putting into making the geometry harmonious is very apparent, and good grief, you actually invented a script to use for the Speech. Stop making us all look bad with your awesomeness! ^~
(Don't stop. Never stop being awesome.)
~Neshomeh
When I think of the books I like to reread, I find I can usually characterise why very quickly. J.R.R. Tolkien's Lord of the Rings is deep, with worlds of detail under every paragraph. Megan Whalen Turner's Queen's Thief series is incredibly clever. Rosemary Sutcliff's Eagle of the Ninth sequence is rich in history. Aaron Allston's X-Wing books are just ridiculously funny. And Diane Duane's Young Wizards series is absolutely bright with hope.
I mean that fairly literally. Unlike most fiction involving fighting an Enemy, almost all of YW takes place in the daytime, or otherwise in the light. Light, and bringing light to dark places, is a constant theme throughout the books - Nita and Kit's wands of choice are moonlight-soaked rowan and noon-forged steel, for instance, and two of the first three books include pivotal scenes where light is used to defeat the Lone Power.
This isn't to say that they're sheer fluff - Diane establishes early on that sacrifice is necessary to achieve victory - but even there, the light-bringing theme continues. I could name at least six or seven characters who give up everything to bring literal light in and against the darkness - and yes, it's heartbreaking, but it's also worthwhile.
Diane's hopeful approach to the series is also reflected in other ways. In the other four series I listed, one way or another the characters' goal is concealment. Frodo and Sam want to sneak into Mordor. Wraith Squadron want to trick the Empire. In all of those books, being spotted is a failure, and confronting the enemy directly an act of desperation.
Not so in Young Wizards. The constant message, shown through the characters' actions in every book, is that to turn back evil you have to stand up to it. Nita, Kit and their friends and family aren't trying to work around the Lone Power, to pull off their goals without drawing Its attention - they're trying to face It. Yes, they need to prepare the ground first, and yes, they may stay stealthy for a while during the preparation - but ultimately, they draw their circles, stand forward, and declare their greetings and their defiance.
It's a very different worldview to the one I usually read, so when I want to read something that puts a heartfelt smile on my face - when I want to remember that even when sacrifice is necessary, "there's always Timeheart" - when, in fact, I just want to feel better about the world - the Young Wizards series is where I turn.
hS
"He forgot the high-energy radiation again."
"He always does."
Though, a lot of Cousins I've met love the worldbuilding, too. ;) Aliens that are actually alien!
But yes, this is very much an Optimist (Optimistic Realist?) series.
(And yes, I know I forgot to come up with a title for the last part of Marisa's story. |D 'The Flashes of Succcess', maybe?)
Anyway, a long while back I was scrolling through DeviantArt for Young Wizards fics and found... this old thing.
There aren't words.
... is there a title for the whole story?
This section also lacks a title. ^_~
hS
Though anything along the lines of "Even Younger Wizards" is right out. ;)
And I'm pretty sure I intended that emote to be that chapter's title. |D "Assurance" could work otherwise, though.
As for the story itself... actually, not feeling like a title was worth the effort sounds like a fairly Marisa thing to do, but it does make things a little complicated.
While I'm on the subject, is the version on the Board (as amended in a couple of places) what you'd consider the final version?
hS
Though I don't think 10-year-old me was that lazy! XD
I'm imagining a thought process along the lines of, 'A title is just supposed to tell you something about the work that follows, but the work contains all that information itself. So a title is redundant.' ^_^ Sorry.
hS
And is more like how I am in explaining things, natch. =P
"I can't phrase this any better than what's already in the source material, but I don't want to just copy&paste everything - that's plagiarism!" - when explaining things about Young Wizards to my RP friends.
Having tried a couple of impressionistic diagrams in the first thread, I thought it was time to step it up a bit. So, taking inspiration from Arabic and Georgian scripts, plus a bit of the Cherokee syllabary, I cobbled together a 'Speechesque' alphabet.
Yup.
Now, obviously the writing system is only half of the deal, and I didn't exactly feel up to inventing a language too. So what follows is a translated spell circle - the words are all in English, but in a curlier alphabet. (English orthography has been used, too - so the Welsh name 'Cafall' has been written 'Cafall', despite being pronounced ~'Cavalth'.)
(Larger version)
The whole spell (this is the one cast by Jacob and Lise to feed Bran power and banish the Afanc) is a single unbroken line, read counterclockwise around each circle in turn. Most of the writing is alphabetical text, but there's also a sprinkling of unique symbols in there - the upper-left circle (Bran's name) includes prominently both the dragon-sword 'Pendragon' and the infinity 'wizardry'. You can also find 'Pendragon' in the outer circle (over on the left), and the related three-symbol concept 'Wales' facing it on the right (the dragon there is the centre).
I did my best to make the image match the story. I wrote about how weird Jacob found Will's and Bran's names, and the diagram bears that out. Lise's and Jacob's names (bottom left and right) follow the same pattern as each other, differing only in the details. Will's (top right) starts dropping details, replacing his entire 'Present' chord with a quartered circle (that seems to kind of contain the symbol for magic). Bran's name not only contains the name of Wizardry itself (deeply unnerving, if you're a wizard), but also has two Future chords - one of which crosses his Past chord.
Finally: the spell reads counterclockwise and left-to-right, which means that every word of it is outward-facing. In other words, the spell isn't designed to be read from the inside (though that's where the wizard is doing the reading) - it's meant to be seen from the outside, by the rest of the universe...
hS
PS: The full text of the spell reads: "This is a power transference rekwest, target {Bran Davies}, for the purpose of driving from [Llyn Barfog] Afanc Darkborn [Pendragon]-banished Maidenbane. {Lise} as spell originator and power-donor/enactor alongside {Jacob} enacted in [Wales] and calling on the Old [Magic] and the Light: {Will Stanton}, High [Magic] implores aid for Bran [Pendragon]! Will you give power?"
I can't really write out the names in full because they rely a lot on contextual information from their structure. Jacob's 'past' line, for instance, reads: {mid [Lower Thames] natural [father's name] 46447.4 [mother's name] reader male-nonstereotypical past}, which is hardly human-readable. ~hS
Aka: this is beautiful and I love it.
I found some larger paper (doing it on a standard sheet made it too small to fit the words in), so I'm working up a fair copy of the banishment spell. This version actually gives Lise a different Wizard's Knot - since she wrote her own name, Jacob didn't change it to match the others he drew.
Once I've worked out all the kinks in this one, I do intend to go back and redo Delta Juliette's spell. And then, if either you or Scapegrace ever flippin' cast a big spell, I'll get to work on those. :)
hS
So Aegis might have let me get my hands on his copies of the first three Young Wizards books and I'm in the process of revising Mirror, Mirror so it does in fact have magic... *hopeful smile*
The first three books together really paint a picture of the setting as a whole. SoYouWiz is literally the textbook Ordeal to work from, Deep has always been Kaitlyn's favourite, and High is mine. With those three under your belt, you should be able to write an excellent Ordeal.
And yes, I'll render a spell for you too. ^_~ Good grief, at this rate I'm going to have a Manual of my own making...
hS
This is going to be great!
(Also - next chapter of mine is in the works! Also hinging on how much of my paper I write today. >.> And I hadn't initially planned on there being a formal spell, though I can think of one idea to work in...)
I've tweaked a few things along the way - the wording is different in a few places - and I think I'm finally happy with this.
Next up, trying to make the single-line concept work on Julia's spell, while still drawing every circle in its entirety. Hrm.
And of course you don't need to work in a formal diagrammed spell! Given the computer-based nature of your story, I could easily use an idea I've been pondering of writing it in pseudo-code format.
This is an anti-virus spell
cast autonomously by the Manual
{digital-adaptable-Oathgiving}
on behalf of user Marisa
{datastream past:
mid * read online
origin = NorCal
father = Mike
mother = Debbie
dob ~= JD.current - 10
status = female
datastream present:
&c &c. The 'circled' data would probably be XML/HTML-style, with the spell itself formatted slightly differently.
(This is of course the spell not!Spot casts to quarantine the virus attacking it back in Unexpected Resolutions.)
hS
This is the beginning and plan of Julia's first big spell. Or rather, according to the name, it's James's big spell... which is rather the problem.
Different Knot design, and you can see the two overlapping circles sketched in on the far side. The small circle I'll get to next is the power circle - it's no accident that its two chords point right at the main part of the spell.
(And yes, that opening text is Delta Juliette's spell as written - it just fits!)
hS
I love how the two chords across the descriptive loops make a wedge pointed straight at the naming-circle- that's a wonderful nod at how it's all about to go horribly wrong.
The Knots are lovely, too- trim and simple, I really like how they look!
I would love more detail on what you've put into the naming circle, if you have further thoughts! There's so much structure there, my engineering instincts (wizardly instincts?) want to know everything. (I have no idea what James would have actually written down, for hopes and fears for the future? Probably something... rather bland.)
This is actually an excellent spell. It blends wizardry with the sort of deep knowledge of physics and engineering that most wizards won't have. It's also a relatively cheap spell, since the power node (at bottom) indicates that it should take its energy from the volcano itself. (In full, the power circle reads: "Power source: [volcano] at focus of circle - chamber and flow. No power limit to ensure safety.")
Unlike Jacob and Lise's wizardry, this one is stuffed with arguments and persuasion, as well as technical data in the joined circles. They're not perfect - notably, it simply asserts that the spell won't hurt anything, without actually addressing the question of how the volcano feels about it (so to speak) - but with a bit of tweaking it could be a first-class spell, and be included in the Manual as a named spell.
Except for the minor fact that the name is all wrong and so it went very badly. But other than that--!
hS
I am... definitely playing fast and lose with volcanology and rocketry to make the narrative plausible- but the underlying theory is vaguely sound. I do not recommend trying it at home.
My imagined outcome is that it would have functioned- not perfectly, some things would have gone badly, some people would have gotten hurt. But it would have been a serviceable solution. Except, of course, when you're throwing around terms like "no power limits" and "cubic kilometers of rock", you really need to put the right name in the circle.
And that breezy "oh, nobody will get hurt, it'll be fine" is so very in keeping with the other big theme of the piece! Julia needed to do a lot more listening- starting with listening to herself. She'd been deliberately ignoring herself for years.
That is an amazing work of art and I'm deeply impressed by your handwriting skills- thank you for putting it together!
First things first: the whole thing is read counterclockwise. In the name specifically, it reads from the point shown at the top, down the left chord, across the base, and back up on the right.
The name actually starts outside the circle: the last word of the spell leading to it is 'James'. This acts as a sort of label, meaning the spell can refer back to it later. I don't think it'll be needed here, but it's best practice.
On to the name circle proper. I should note that lots of the things I included are based on the parts of High Wizardry where Dairine is giving her computer-Manual Spot all sorts of random information.
Working down the Past chord, we can read:
-Mid. Ie, 'Middle class'. Dairine actually provides her dad's income; I've pretty much parsed this as 'how privileged are you?'
-A symbol resembling the Space Needle. This is a birthplace marker, indicating Seattle (I guessed); Dairine gives birthplace.
-'Natural', ie natural-born. This could also be what Kaitlyn insisted I list as 'untimely' (ie, ripped untimely), or I guess adoption. This is here to fill space, honestly.
-The big tree-between-claws thing has father's name on the right claw, mother's on the left. Well... technically this just says 'father' and 'mother'. ^_^ The tree gives the Julian Day of your birth to 1dp. In theory the relative heights of the claws say something about your relationship with your parents, but I didn't use that. Dairine needed both parents' names, plus date and time of birth; the JD system has been used in recent books.
-'Reader'. All wizards are likely to have this; it means what it says.
-A single peak for 'male'; 'female' has a loop on the top. Notably absent is an internal loop, the size and angularity of which indicates how different you are from the stereotypical version of your sex; 'James' is in pretty strong denial, so insists 'he' is 100% male in every way. (Whether this marker indicates sex or gender, and what that even means, is very much open to debate among wizards.)
-Finally, a subsidiary childhood interest. I've put 'code' here, based on my knowledge of you.
Now we're onto the Present line.
-'Spring'. This is nominally the fAvourite colour space (Dairine again), but is also a marker of what sort of environment you prefer. I based this on the story.
-A symbol for a primary interest, with a clarifying word. I've gone for 'tree' here based on the story, though it would be equally valid to have something tech related.
-'Friendly'. How outgoing you are. Both Dairine and Nita actually list best friends, but I've generalised.
-The big spiral is common to all wizards, and it's about reading. The first curve gives ths number of books you read weekly, or daily if you're a big reader. BAsed on your age, I put one a week.
--The inner spiral gives subjects. Handily, you told us one of these, so I was able to use 'adventure', plus 'science'. (I think Dair gives the last book she read.) Theoretically the exact shape of the spiral says something, but... nah.
-'Bookstore'. This is 'where do you like to spend time'.
-The little snowglobe is how smart you are. It's a number out of ten, but doesn't match up with either IQ or test scores. It's all a bit holistic. (I think Dair has to say what her last grade completed was, something like that.)
-Finally, a secondary interest, and you get 'tech'. Yeah.
On to the future! Nearly done.
-The first half of the line is your sensible, rational life goal. It says 'career - technology', which seemed about right.
-The little clawed circle near the centre is for sexuality (ie, Dairine's 'what she thought of boys'). Gay points in the direction of reading; straight points against it. You get to show your relative levels of both, and can leave them low to indicate lack of interest. 'James' is insisting on being straight, but the relatively small spike indicates a lack of real conviction.
-Finally, we have the secret desire: if you could throw out common sense and do what you really want, what would it be? Once more based on the story, you get 'outdoors - nature'; Julia really wanted to be in the arboretum, despite ostensibly being a techie.
And that's a wrap! I figure the name includes more or less information depending on the complexity of the spell, but... well, I don't have infinite space, so I'm sticking with the standard version throughout. ;)
I don't believe Diane has ever written a name out, but I figure this would read something like:
"James, born well of Seattle, natural-born son of (father) and (mother) on (6-digit JD); reader of books, coder of code, spring-lover and tree-lover and friend to many; weekly reader of science and adventure, wise lingerer in bookstores, wielder of tech; worker in technology, appreciator of womanhood, and seeker of nature's peace."
... but probably a bit less corny!
hS
hS
(Originally starts here, for completionists.)
While the paralysis had faded, Marisa still felt like she was dreaming - and horribly lost. So, she grasped for routine, protocol.
"F- Fairest and Fallen, greetings and defiance!" she exclaimed - though it was really more of a squeak. It didn't even echo, not that that was the worst of her problems.
"Oh, come now," the Lone Power said; from where It said this, she couldn't easily tell. Not that she often looked at peoples faces in dreams, anyway, but if It wanted her unsettled It was succeeding. "You know this place; it's for fun times! ... Not that you've been doing your fair share of them, lately." It leered at her - or sure sounded like it was, at any rate.
"Or at all, really - you consume a lot more than you produce! And while I can pick up the slack, why should I care? An act of notcreation, if you ask me, is an act of furthering entropy!"
Marisa's eyes narrowed, and she crouched into a protective stance on the not!ground. /Where. Is. My. Manual?/
"Aawww, straight to business, you don't even want to talk? Such a shame. You know," It went on, "You could make a great attack dog! You know, if They ever feel like using you that way. Now tell me," And suddenly they had moved, nearly knocking Marisa off her feet. In front of them was something that almost looked physical, now - a line, a stream -
Data? Marisa thought, then quickly refocused. There was a stomp - whatever form It was taking here looked to be turning more humanoid as the conversation went on. All around them were now familiar words - familiar HTML-
"How does this make you feel?"
The text mess resolved itself into comments - the sort of comments that Marisa didn't like looking at. The disrespectful sort, the unintelligible sort, the kinds of people who got what she liked all wrong-
"See? You're shaking already." It was true - the reminder of humanity's dregs did her no favors, and she realized she'd clenched her fists down tight.
"They're- they're just you, aren't they? The parts of you that are in other people?"
She got the impression that she'd made It smile - not that she liked that feeling, either. "All people, but yes. And what would you do to them, if you could?" It was pushing Marisa for an answer, she knew, so she said the first thing she could think of that would frustrate it:
"Not kill them." Now It dissipated the comments, their surroundings going cold with Its temper.
"Oh really? And you think that you know what I know about you? Think carefully, now: what good is anger when it can't change people's minds, when there's nowhere left to go that makes a difference? You'll find yourself running up against that wall sooner than you think, little wizard - and when you go scrounging for answers, you may well think twice!"
Marisa tried to remember to breathe, calm and evenly. But it was hard.
"Besides," It said, cutting off her thoughts - or her attempts thereof. "Hate is only half of the equation. You wanted to know where your Manual is? Well," It said - and this time, Marisa could see It smile.
"Let's have a look. Just remember, these were your ideas - I just, how you say? Improved on them." Again the movement took hold, only this time Marisa was ready. She jumped, looking to tackle It to the "floor" in her anger-
She couldn't move, again. "Ah, ah, aah~" the Lone Power taunted her.
"Naughty wizard. Besides, it's not me you want to be aggressive toward now, is it? Well, not now now, just for a while now- Anyway."
Despite that confusion, Marisa tried to close her eyes - but couldn't.
While the paralysis had faded, Marisa still felt like she was dreaming - and horribly lost. So, she grasped for routine, protocol.
"F- Fairest and Fallen, greetings and defiance!" she exclaimed - though it was really more of a squeak. It didn't even echo, not that that was the worst of her problems.
"Oh, come now," the Lone Power said; from where It said this, she couldn't easily tell. Not that she often looked at peoples faces in dreams, anyway, but if It wanted her unsettled It was succeeding. "I thought you loved this place? Not that you're willing to participate in it - or do you think you can't contribute?"
Marisa's eyes narrowed, and she crouched into a protective stance on the not!ground. Protocol followed, she did her best to focus and not just rise to the bait. /Where. Is. My. Manual?/
"Aawww, straight to business, you don't even want to talk? Such a shame. You know," It went on, "You could make a great attack dog! That is, if They ever feel like using you that way. All 'how do I solve this' and 'how can I make this person give me what I want' that! Even when you learn more about what 'good' is - and how silly the notion! It's just substituting 'being less entropic' for what you want! Now tell me," And suddenly they had moved, nearly knocking Marisa off her feet. In front of them was something that almost looked physical, now - a line, a stream -
Data? Marisa thought, then quickly refocused. There was a stomp - whatever form It was taking here looked to be turning more humanoid as the conversation went on. All around them were now familiar words - familiar HTML-
"How does this make you feel?"
The text mess resolved itself into comments - the sort of comments that Marisa didn't like looking at, and with them came all the emotions Marisa didn't like feeling. The disrespectful sort, the unintelligible sort, the kinds of people who got what she liked all wrong- Hate crimes, disgust, falling just short of getting the point-
"See? You're shaking already." It was true - the reminder of humanity's dregs did her no favors, and she realized she'd clenched her fists down tight.
"They're- they're just you, aren't they? The parts of you that are in other people?"
She got the impression that she'd made It smile - not that she liked that feeling, either. "All people, but yes. And what would you do to them, if you could?" It was pushing Marisa for an answer, she knew, so she said the first thing she could think of that would frustrate it:
"Not kill them." Now the comments went away, and the remaining empty space grew cold with the Lone One's temper.
"Oh really? And you think that you know what I know about you? Such a blunt answer for a complex question! Think carefully, now: what good is anger when it can't change people's minds, when there's nowhere left to go that makes a difference? You'll find yourself running up against that wall sooner than you think, little wizard - and when you go scrounging for answers, you may well think twice!"
Marisa tried to remember to breathe, calm and evenly. But it was hard.
"Besides," It said, cutting off her thoughts - or her attempts thereof. "Hate is only half of the equation. You wanted to know where your Manual is? Well," It said - and this time, there was just enough of Its form to perceive that Marisa could see It smile.
"Let's have a look. Just remember, these were your ideas - I just, how you say? Improved on them." Again the movement took hold, only this time Marisa was ready. She jumped, looking to tackle It to the "floor" in her anger-
She couldn't move, again.
"Ah, ah, aah~" the Lone Power taunted her.
"Naughty wizard. Besides, it's not me you want to be aggressive toward now, is it? Well, not now now, just for a while now- Anyway." It rolled its eyes.
Despite that confusion, Marisa tried to close her eyes - but couldn't.
---
Marisa had long ago concluded that her reaction to, well, almost anything biology was odd. She didn't like sneezing, she hated being ill (and had vowed to do what she could so that she wouldn't get sick in the future, though that had been back in second grade), and her habits and notion of Not Being Seen in tasks of daily hygiene (oddly enough, not including brushing her teeth - dental hygiene was just fine somehow) could have lined her up for an OCD diagnosis, if her parents had ever thought something was up.
So, when it came to sex, or physical intimacy in general? She could not think about it in those terms. Certainly she would never be able to watch any - reading was more than enough to supplement her fantasies.
What Marisa was seeing right now? Was some horrible hybrid of reading and watching.
Words, words, words, words, Words. Only, they weren't acting like words. Some of them slithered, twined around each other like lovers. Some were, quite literally, exploding. With passion? she thought, surprising and disturbing herself.
Others had seemed to have conglomerated into shapes - suspiciously people-like shapes. The more Marisa looked - away, away, away! - the more there was to see. And the louder it all became.
"It's just lust; what's wrong with that?" the Lone One said dismissively. But Marisa's mind was not on Its words - even as she kept trying to not see, there was one being she desperately wanted to find.
The thought of any of this happening to her Manual- to him - made her stomach curdle.
Well, why?
Because it felt Wrong?
Because no one else was doing it?
Because, even if she knew her own feelings on the subject, she felt she could never, ever, know enough to mitigate the existence of this? What seemed like the default, what love inevitably led to?
There was a shudder throughout the landscape, shattering her possibly-circular thoughts - and she turned and there was a glowing-bright presence, suddenly there.
For her. To do what? she thought, in growing horror.
And then something clicked into place, and she realized she didn't have to be passive about all this, to just stand there and react.
Don't waste time being afraid! This was her bug, her trial, the thing that always grated on her - would, perhaps, always grate on her. This was the next step to empathy - to not be overwhelmed by it.
She didn't have to do what everyone else did.
"ENOUGH!"
The cacophony cut off - all at once she could feel everything focus on her. Even the Lone Power stood waiting, amusement having turned to shock.
And her Manual recognized her.
Was that my voice? Marisa had to shake off the moment of awe; she couldn't afford to waste time.
/First things first: I'm sorry./ she said to her Manual, quickly and quietly.
/I'm sorry, too./ came the reply - which took Marisa by surprise.
/Well, we can both do better now; from now on, I'll ask questions even when I'm afraid of discussing them./
Somehow, she knew the reply she was getting was in the form of a smile. /I trust you./
The thought went straight to her heart, and warmed it. And with that new strength, she turned back to the Lone Power and said,
"We're clearing you out of this place!" What say you that this guy qualifies enough to be a virus? she added silently to her Manual.
/I believe I know what you are getting at./ it replied - and grinned.
/Better lay out that diagram, then!/
And just then, because of course the Lone Power wasn't taking this lying down, the uncleared words around them surged forward to drown them.
((AN: Yes, another cliffhanger. :V Next part should be the last, though!))
What they ended up doing was a threefold approach - first step was shielding, then disinfecting the words of the Lone Power's influence (since just because Marisa didn't like them didn't mean she had the right to destroy them!), and then erasing this iteration of the Lone Power from the Net (as on this level of reality, It was just code. Really annoying malevolent code, but still just code).
So, two spells, with the second spell in two stages.
/I can't keep the shield running once we start the other spell./
Marisa's eyes narrowed, but she nodded. When you're ready.
The shield spell flashed into place, and Marisa had to brace herself while she powered it. As the disturbingly rhythmic thud thud thud of the attacking words resounded about them, Marisa drew up the nerve to ask one more question.
/What happened, yesterday? I mean-/ she cut herself off. /You don't have to tell me or anything. Worst comes to worst you can call it 'adult stuff' and I'll drop it./
Her Manual gave her a funny look. /'Adult stuff', colloquially, can also apply to subjects considered 'boring' - and while what happened out here qualifies for many things, more than a few of them unpleasant,/ it shuddered.
/I would not call any of it boring. Later might be a better time to explain, however./ It pointed out. Marisa nodded, and smiled.
/All I wanted to know. Thanks. Now, run!/ she said, the command that would start the second spell running and kill their shield.
There was a second flash of light, this one much brighter, and-
---
Funny, it still seemed too bright to open her eyes. And she was lying down, now, too; had the spell knocked her flat? And then there was a mysterious beeping noise...
"Marisa? Are you awake?"
"Mooom, I'm tiiired," Marisa said - then she blinked her eyes open wide.
Was she in the hospital?
A few quick glances (and, even though she didn't even try sitting up, some vertigo) later, and she learned that yes, she was in the hospital.
At least she could talk?
"Mom, what happened?" Debbie looked as if she wanted to lift her up out of bed and hug her - but there were other people in the room who looked able to prevent just that sort of thing.
"... You fell out of bed."
Marisa just stared.
"You hit the bedframe hard enough to leave a gash, and then the dresser fell over..." Debbie grit her teeth.
"If we could get you and your brother separate rooms, we would."
Well, that all made more sense, then; Marisa nodded.
"Soooo, why am I here?" The last time she'd gotten an injury anywhere near as sever, it'd been because she had taken a carpet staple to the knee, and she hadn't gone to the hospital for that.
Her mom sighed. "Your brother woke up and told us to call 911; when we got here the doctors insisted they treat you here instead of just giving you antibiotics to take at home." She didn't sound regretful about that last part, though.
Marisa thought of something, and her eyes went wide again.
"Wait, how long have I been out? Have I missed school?"
Her mom laughed - possibly because she'd said something normal for Marisa instead of anything related to errantry.
"That's for your Dad to sort out. Though, I do have some homework for you to look at sometime..."
Marisa rolled her eyes, something vertigo didn't prevent.
Things were going to be just fine.
(And if, the day Marisa went back to school, she found a familiar program 'Ready for Re-installation' in her email, well.
She was more than happy to open it up. Dai Stiho.)
((AN: A bit abrupt, I feel, but I managed to put every scene I had already envisioned for this fic in it, so I feel very accomplished~!))
But on the second read... well, what would you add? Perhaps something about the effects of the first spell, but you've already got that in there. Perhaps a piece at the end with what her Ordeal actually achieved, but the parenthetical ending is pretty darn good, so it would have to go before that. Maybe her Speech therapist could show up in the hospital - but what would that actually add? 'Well done, Marisa, you have done X and Y' is a bit pointless when X and Y are obvious from the story. (Also I doubt Marisa would much appreciate being told the obvious.)
So yes. It's a bit abrupt. But... that kinda fits.
hS
And you're right that Marisa wouldn't have liked an obvious infodump.
For her, it's on to the next thing!And, sometime in the future, I might still write the 'Marisanual' fic, just for sporking material~
Featuring, among other things, the Manual's 'name' overlapping with Marisa's, and a double-walled name of the Lone Power - not because Its presence has been detected (this is the spell from very early on, the original antivirus), but because the Manual is fully aware that Marisa is facing an Ordeal in the near future, and intends to warn her if the Lone One shows up by way of her computer...
hS
May I, like, save this to a flash drive or something...?
So it looks like the goal of her Ordeal is to kick the Lone Power off the internet, which is definitely a worthy cause! I'm wondering now what trouble It has been causing (other than writing erotic fanfic, obvs). There's a lot of problems on the net, and the Lone One being partly behind their growth feels right.
hS
I would say that as more of a negative, except I feel like it was meant to be confusing - that we're meant to feel as unsettled and disoriented as Marisa is. Towards the end, that definitely takes hold: the Lone Power is insufferable in Its 'I know something you don't know' attitude. (Minor editing point: this section:
She couldn't move, again. "Ah, ah, aah~" the Lone Power taunted her.
"Naughty wizard. &c
Would work better with the line-break moved to before the Lone One starts speaking. 'She couldn't move' is about Marisa, whereas all the speaking goes together on a separate line.)
I think childish!Lone Power is a hoot; it's not as serious as the versions Nita usually encounters, but Nita is a very serious girl. Marisa strikes me as someone who'd be absolutely wound up by someone treating her the way It's treating her, which is... why It's doing that.
The one thing that I feel really falls flat is this line from the Lone Power:
"You know this place; it's for fun times! ... Not that you've been doing your fair share of them, lately." It leered at her - or sure sounded like it was, at any rate.
"Or at all, really - you consume a lot more than you produce! And while I can pick up the slack, why should I care? An act of not creation, if you ask me, is an act of furthering entropy!"
I really don't get what It's trying to say here. What hasn't Marisa been doing? The obvious answer is 'posting stuff', but a) the internet is for having fun by consuming what's there, and b) she's too young to post on most sites anyway. And what slack is the Lone Power not picking up? Is it saying 'I could generate internet funnies if I wanted, but I won't'? And if so, how is Marisa supposed to take 'the devil says It won't post on the internet' as anything other than a win for humanity?
I realise it's just one line, but it really threw me off. So you get comments. ^_^
hS
Addressing the points in order: Yes to the confusion - I don't know how I'd move that sectioning line - and I'd always grown up figuring (A)I wasn't Allowed in the grand scheme of things to even register accounts to leave comments (on deviantArt it would have at least been allowed for me to do so with parental permission) and (B) that not having anything to contribute was a Bad Thing. =P At ten I'd already figured being Only an Observer was both the only thing I could do and meant that I had less value.
That, and I was trying to put several old berserk buttons in the one chapter - the Lone Power covering all Its options and whatnot. :V
So the Lone One was specifically playing on Marisa's insecurities and issues, rather than making general statements? That makes sense.
I think you could definitely rework that line; are you planning to post a cleaned-up version of the story at the end?
hS
And I think I'll be able to go back through and do that - might not be able to stick it all in one post, but it's doable.
I've never actually been to a convention (PPC Gatherings aside), so there's that extra air of supercoolishness at the prospect of meeting someone like Diane Duane. :D I hope you do get to go. (I won't be, of course - doesn't do to break a streak like this one!)
Fear not, no thunder has been stolen. ^_^
As to your question... if they were a wizard, yes. o.O There's a note on the Concordance that says wizardry is basically being granted the right to use the Speech in enactive form. For other people, it's just a language, albeit a super useful one because everyone understands you when you use it. For a wizard, though, it's much more.
This is the point where I throw in an obligatory reminder that one book does in fact feature the creation and/or visiting of an existing canon universe, with a brief trip to Middle-earth shortly after the fall of Numenor...
hS
No, not the convention - we'd both love to go to that but also can't. The Speech-badfic thing.
Our compromise conclusion, reconciling the enactive nature of a wizard's Speech with the fact that accidental misspeakings haven't in fact filled the universe with rogue spells and dead wizards, is something like this:
Wizardry is the right to have the universe listen to what you say in its language. When the Speech is used in its enactive mode by a wizard, that's the equivalent of ringing a bell and summoning it down to pay attention. The universe doesn't have to do what you say - you might not have enough power, or your spell arguments might not be convincing enough - but it has to listen, and usually something will happen.
The rest of the time, wizards use the Speech non-enactively (in the simplest reading, this is just 'don't end a statement with the Wizard's Knot) - but they still have to watch what they say. They're not compelling the universe to listen - but it might 'choose' to do so regardless. That could be based on how hard you meant it (yelling 'go away' at someone, for instance), or could just be wizardry being wizardry. It's not prone to sticking within the boundaries people set for it.
hS
We've seen the Doctor there, too. ;)