Subject: My vote is for arco-flagellation
Author:
Posted on: 2008-10-01 22:41:00 UTC
If you don't know what that means, breathe a sigh of relief. It's one of the more unpleasant things to do to people WH40k brings.
Subject: My vote is for arco-flagellation
Author:
Posted on: 2008-10-01 22:41:00 UTC
If you don't know what that means, breathe a sigh of relief. It's one of the more unpleasant things to do to people WH40k brings.
Legal Mary Sue ends up with Darcy, after sending Elizabeth to the modern world for eternity, and making Bingley, Collins, and Wickham all fall for her. And sending Jane and Bingley off to America. And making Mr. Bennet nearly bleed to death. And showing Lydia her "landing strip". And sending Charlotte Lucas to Africa as a missionary.
I don't know how she'll go down, or how many weapons it will take...
but let's get her.
Araeph is begging you.
Thanks, everyone! And to anyone who is still thinking of volunteering...it's not too late!
What I'm thinking of is dividing this mission up into four parts: one part for every episode of the miniseries. For those of you who haven't see Lost in Austen, you can go onto Wikipedia and figure out where the episodes begin and end from the plot summary there. Then, simply choose your (least) favorite episode and e-mail me *points above*. That way, the poor agents will get some relief from the badfic. Don't worry...you can all be present for the no doubt gruesome ending of Amanda Price (though I haven't decided what that will be, yet. Red-hot shoes are very tempting).
Thanks for volunteering!
Just because I think this one is being lost in the glacier-like flow of posts.
Just to clarify, do you plan to have some agents listing charges for episode one, others do part two, and so on, until someone (or all of us?) can charge and condemn her in the end?
As long as we're careful not to overlap charges from the various episodes.
And you're right. I'll have to make this a new thread. Later, when I'm not sneezing my head off.
*jumps onto the wagon*
Count Agents Christianne and Eledhwen in. We've seen the show and it reeks of Mary Sue-ism.
*Agent Christianne looks through her poison supply*
*Agent Eledhwen sharpens her sword and knives*
You can have Ansela and Risa for a cameo if you wish. They know nothing of the source material, but will quite happily go along with a mob. Ansela will anyway. Risa's there to keep her from killing/poisoning/sleeping with the wrong person.
Kill it with fire and much pointy objects!
I think they might feel rather at home with this one, considering their home continuum.
Kill. Her.
Count Ecru and Avada in, after I finish their first mission and watch the recorded programs. Admittedly, I haven't sen the first ep but if YouTube has it, then I'll watch it as soon as possible.
In in in. She married Darcy?
I got through the first episode thanks to you-bloody-tube and that was MORE than enough. I mean, if Jane was so vulnerable as to nearly DIE from the cold, would Mrs Bennet have sent her out the first time? *strangles*
Admittedly, I didn't hate the Sue character too much. Amanda, I think her name was. She wasn't infuriating; it was all the things the scriptwriters did FOR her that was worst. Not that she wasn't bad, just... blegh.
That said, Araeph, do you want us all to watch all those horrid episodes or will you give us a run-down of events so we know exactly what's going on?
The "saga" begins: "It is a truth universally acknowledged that we are all longing to escape."
Cue our Sue, Amanda Price, angsting about how terrible her life is. She undergoes such harrowing difficulties as dealing with difficult customers as a bank teller and having her boyfriend propose to her when he's drunk. Angst angst angst, and the only joy she has in her life is reading her beloved Pride and Prejudice.
Then, one asuspicious day, she finds Elizabeth Bennet in her bathroom. It seem that Amanda Price is "the key": the only one in the entire universe who can make her bathroom wall into a door that opens into another world. Elizabeth Bennet, who doesn't display any shock at going into the modern world or misgivings about leaving all her family and friends, immediately proposes trading places with our dear Amanda. Oh, and as for Elizabeth's witty lines? She doesn't have them. At all.
Soooo, just as Mr. Bingley arrives in town, so does Amanda Price. Her well-rehearsed and rock-solid story is that she is Elizabeth's friend from Hammersmith who no one has ever heard of before. Not only does this mean the Bennets let her stay in their house for free and treat her as one of the family...but in every scene thereafter, whenever Amanda does something explicable (for instance, shouting out "Bumface!" at Lady Catherine's table), she explains it away to oblivious canon characters as "it's an expression from Hammersmith".
But I digress.
The next day, Amanda wakes up to Lydia copping a feel in her sleep, so Amanda believes she's on reality TV. To get out of the "show", she asks if she has to flash Lydia to get sent home. No one answers her, but she does it anyway. Is Lydia shocked? Horrified? No, she gives a little half-giggle as if, after all, these things happen.
Amanda, as you may imagine, is an instant hit with Mr. Bennet. She seems to him to be a girl of common sense, which is patently impossible because Amanda keeps spouting off anachronisms and 21st century jargon at every turn. She doesn't know how to dance, she uses peculiar expressions, she curses frequently, later on calling Mrs. Bennet a "ball-breaker" and Mr. Collins a "minger". In fact, I wonder...I seriously wonder...why she is not shipped off to Bedlam directly. Wouldn't that be fun!
Amanda meets Mr. Bingley, who is lovestruck practically at first sight, despite the fact that Amanda is still in her modern clothing. Yep, leather jacket, low-cut blouse and jeans...a paragon of 19th century beauty. Bingley steadily ignores Jane at the Netherfield Ball, which leads Mrs. Bennet to take Amanda into a private corner and make covert, subtle threats against her. But wait. Mrs. Bennet, covert? Subtle? Intelligent? Yep, the CADS are sounding like bugles.
Poor Jane is left in the dust, and Amanda feels a pang of guilt, so instead of dancing with Bingley, she dances with Darcy. Darcy is suitably put out. Mary Sue makes a puny attempt to fit in by wearing a dress, but for some reason no one comments on the fact that Amanda has unbound hair and has on heavy make-up, like a lady of ill repute.
Amanda, when insulted by Darcy, goes out for a smoke. Bingley catches up to her and says, admiringly, "You even breathe fire!" as she lights up a cigarette. He starts to profess his affection, Amanda kisses him deeply, but then makes a half-hearted attempt at telling him that he should be with Jane instead. After the ball, Amanda virtually forces Bingley to fall for Jane, telling Bingley that Amanda can't love him because she's a lesbian. Bingley is shocked and appalled…oh, wait, that would be canon…Bingley is mildly surprised, but docilely agrees to fall for Jane. (Jane almost dies of her cold when she rides to Netherfield, in contrast to canon.)
In the background, Wickham shows up and tries to charm her, Amanda rebuffs him with the kind of righteous indignation that can only come from having read Pride and Prejudice ahead of time and knowing who's the villain. Collins shows up and is promptly bowled over by Amanda's…um…Amanda's…to be honest, I'm not sure what he thinks he's doing. In canon, he's obsessed with propriety and with his own superficial virtue. Amanda has neither. But I suppose it doesn't matter, because Mr. Collins is a pervert in this version of P&P. Regardless, Mr. Collins flirts with her, she agrees to marry him in order to stop Jane from having to marry Collins (Lizzy, upon whom he should be fixing his attentions, is still "out of town at Hammersmith".) However, Collins drops her after Wickham spreads a rumor that Amanda's father is a fishmonger. It looks like a hopeful sign that Amanda may be facing the consequences of her actions. But don't worry; she won't take responsibility. She'll just knee Collins in the balls instead! Sadly, the author's Suefluence causes Mr. Collins to propose to Jane shortly thereafter…and Jane accepts him.
Turns out Darcy has persuaded Bingley away from pursuing Jane, which Amanda finds out and calls him a "tit" and some other things, too, if I remember correctly. Darcy gives her a well-deserved tongue-lashing for a few glorious seconds, and Sue flounces off to cry about how everything's gone wrong.
I couldn't stand watching all of the episodes, but at some point the following happens: Bingley turns into a drunkard and runs off with Lydia. He returns to Longbourne, where he assures Mr. Bennet that he didn't actually have sex with Lydia. He does this using such vulgar language (Bingley. Vulgar and coarse in speech. And running off with fifteen-year-old girls. Just like in the books!) that Mr. Bennet challenges Bingley to a duel…in the drawing room. Ignoring any proper dueling rules, Mr. Bennet attacks, forcing Bingley to wound Mr. Bennet out of self-defense. (If you want a real laugh, look at how this "sword fight" is choreographed! Bwah!) Mr. Bennet is bleeding heavily and sure to die, when...dun dun dun! It's Sue to the rescue, with her modern ways of knowing about stitches!
I swear, I'm not making this up. Shame on whoever did. By the way, Lydia is never heard from again, so it's not exactly clear how, or if, that scandal was resolved.
After saving Mr. Bennet's life (she's a hero, now, see? See?!) , Amanda meets Lady Catherine when she goes to see Jane at Mr. Collins's parsonage. (Fortunately for Jane, Mr. Collins is undergoing a period of abstinence for some obscure religious reason.) It is there that we learn that, despite having loathed Amanda and held her in contempt before, Darcy is actually violently in love with Amanda! As with Bingley's amorous attentions, Amanda makes a few weak protests towards Darcy, all the while gazing at him with limpid, tear-filled eyes. Darcy returns this with a gaze that I'm sure is supposed to be smoldering but looks instead like he is having a rather bad hangover. He doesn't really give a good reason why, with so little contact, with no exchange of witty repartee, with no respect for her personally, he loves her. In fact, in a later episode he admits that he does not find either her simpering or her obscenities attractive! This is supposed to be the woman he chooses to be the Mistress of Pemberley, sister to Georgiana, mother of the heirs to the Darcy line? In any event, Amanda reacts to this news in a typically fangirl way: by forcing Darcy to dive into Pemberley's pond and emerge with his shirt dripping wet.
I'm still not making this up.
Canon, which is now in a coma and on life support, gives one last gasp in the form of Amanda returning to her own world. Darcy follows, Amanda is reunited with her boyfriend, who says sweet things to her, and Darcy meets Elizabeth for the first time. Except it's not really Elizabeth; it's the soft-spoken, tepid, dull Out of Character Elizabeth, who has cropped her hair short, wears pants, and is working in the modern world as a nanny.
Yes, a nanny.
Okay, so it hasn't gone totally wrong. Darcy and Elizabeth will meet, fall in love, Amanda will go back to her boyfriend…
Nope. Amanda drags Elizabeth back through the door because Mr. Bennet is still unwell. Elizabeth seems very reluctant to go, even though her father was almost mortally wounded! Amanda's boyfriend tells her that if she goes back through that door, he's leaving her. So, she does. And…he leaves. And we never hear from him again.
Darcy and Elizabeth don't hit it off, and Elizabeth wants to go back to "Hammersmith" and spend the rest of her life there. So she does. Guess life as a nanny in London is a LOT better than being happily married, rich, and living in your own time!
(Elizabeth is not the only one put on a bus, metaphorically speaking. Elizabeth's best friend Charlotte Lucas, bereft of Mr. Collins whom she otherwise would have married, decides to go to Africa and be a missionary. And she is never heard from again.)
Lady Catherine DeBourgh goes to Amanda and makes her promise that Amanda will leave Darcy alone forever. Well, Amanda promises. It's a lie, of course. But in exchange for that favor, Lady Catherine gets the marriage between Jane and Mr. Collins annulled. Right on cue (was he waiting in the shrubbery?) Mr. Bingley shows up and proposes to Jane. Jane responds that it would be a disgrace if they were to marry now, so Mr. Bingley tells her they will go to America, "be married by liberal Episcopalians, have twenty-five children, and name all of them Amanda…even the boys!" And they are never heard from again.
Lady Catherine and Miss Bingley drive off together in a snit, Miss Bingley making a pass a Wickham along the way. And they are never heard from again.
Meanwhile, Amanda somehow travels all the way to Pemberley (In Mr. Bennet's carriage?! By herself?!), meets up with Mr. Darcy, and they each profess their undying love. Darcy has tears in his eyes as he tells Amanda what an awful person he has been and how sorry he is. Then, the music swells and they engage in a very unromantic smooching session. Darcy now looks like he is drunk and has a hangover at the same time. Note to whoever that actor was: you, Sir, do not know how to brood. Please stop trying. It's embarrassing to watch you.
And thus it ends.
Kitty what? Mary who? They have maybe three lines apiece in the entire thing. Colonel Fitzwilliam, Mr. and Mrs. Hurst, Sir William Lucas, Mr. and Mrs. Gardiner, Anne DeBourgh and anyone else I haven't mentioned here vanished into Fanfic Oblivion for the duration of this farce.
Scary, isn't it? But there it is.
I've never even seen a Suefic this bad, and this is on British television?! I mean...what the hell?! Why must they turn Austin's beautiful love story into a gorram soap opera?!
My Agents are Not Amused. We really, REALLY have to think of a suitable ending for this Sue. A slow, gruesome, painful death. Rawr.
Something that sees a lot of traffic. Heathrow Airport, perhaps? During the Christmas holidays? When there's so much snow that no one will see our agents until it's too late?
Greater London tends to get its snow around February; last year we got some on Easter Sunday. But yes, I approve of this idea.
For a crime this heinous, we should come up with an equally painful finish.
Ladies and gentlemen, the Canon has suffered enough. So, let the Canon be the one to inflict the punishment.
Firstly, we have a Chosen!Sue. For this, the Sue must be made to face another Chosen One. I'm voting for Harry Potter, or Buffy the Vampire Slayer myself. After this punishment, we go onto the next punishment!
As a Timetravel!Sue, we let Time itself hurt her. I'm sure Father Time and assortment of other Time Deities would each like to 'Bless' her with their own Gifts, ala Pandora's Box style. I.e.: I Curse you with wrinkles, with aging badly, etc. Upon hitting seven Blessings, we whisk her off to the final punishment!
For being an Angst!Sue, we get our arms and elbows REALLY dirty. I'm sure many of us here would remember Tara? The imfamous Harry Potter Sue who not only angst'd in general, but had 'Blue eyes brimming with limpid tears'? Well, I know Tara is probably still Angsting about Harry ad Draco, ahem, sorry, Vampire and Draco not getting together, so we place this Sue in with Tara and wait until she is Angsted to the death!
Or, if that takes too long, we can throw her in with the Ypurs...
Anywho, that's my idea. But don't make it quick, we must make her suffer. Suffer I say!
Would now be a bad time to say I've never read the book?
would she need to be cursed with aging badly, if she's going to be killed almost straight after?
Also, more ideas. Not particularly imaginative, but she could be half-strangled by the chain on Hermione's Time-Turner! Or, possibly, she could be put in the Time-Turner room in the MoM (HPOotP) and shoved in amongst the never-ending destruction of the Time-Turners until she is deaf/has a REALLY annoying ringing in her ears?
I don't think you need to worry THAT much about having read P&P if you're not taking part in the mission. After all, I've just finished reading it - once - for my GCSE and I'm pretty defensive of it already.
If you don't know what that means, breathe a sigh of relief. It's one of the more unpleasant things to do to people WH40k brings.
Chainsaw, perhaps - thoguh we'd have to drag her back through the door and into modern London to achieve it.
As for creativity... well, she stole a dance with Darcy, which is a heinous crime on its own - how about being Danced to Death? We could chain or her hands and feet - or enchant her limbs - so that she's dragged around a dance floor by some sort of robot (maybe with "Darcy" written on its face) faster and faster until she's torn apart by the centrifugal forces. Or, if anyone knows Sara Douglass' Axis books, we could force her to dance the actual Dance of Death...
Hmm... must think. We shold start a sub-thread soley for death suggestions. (... well, actually, it looks like this IS one already.)
Of the original Little Mermaid story. Whenever the mermaid (well, she was a human at the time) danced she felt as if her feet were being stabbed with daggers.
I think my idea is obvious.
that the ogres(?) in The Tenth Kingdom had a pair of metal shoes/boots that could be heated up and the wearer would be forced to dance in them until they could dance no more. Maybe they would be of use in this instance.
I think this was the fate of the evil queen in one version of Snow White as well, or one of the other fairytales at least, which is how it ended up in Tenth Kingdom
...the evil queen was forced to dance in a pair of red-hot iron shoes until she died. That what you were thinking of?
We can portal into uncontaminated Word Worlds, can't we? And pinch the shoes (or duplicate them) after the queen is dead?
...those shoes would be pretty easy to duplicate. Just make some nice dancing shoes from iron- high heels would be good, I think-, let them sit in the fire until they're nice and red, then make her wear them and dance until she drops dead from shock and exhaustion.
it's definitely in Tenth Kingdom, which is based off of an amalgamation of fairytales. Somehow the troll(?) (still not sure if it is trolls. Could be ogres) King has the exact same pair of shoes and like to make humans dance in them for his amusement.
Monomolecular whip in a tube-used by jamming the tube into the target's vitals, making the whip lash out and reduce their organs to soup. Might be suitable as a coup de grace.
I don't know how we're going to PPC this if we can't even get through the whole damn thing... but then, as boarders, I suppose it comes closer to what our agents must be experiencing than the pain we suffer while reading text.
Still... *shudders violently* WHAT KIND OF IDIOT SCRIPTWRITERS CAME UP WITH THIS DRIVEL?
And how is it that they can get this sort of thing FILMED and ON TELEVISION while other good stories rot in the dust?
*wanders off to cry*
Oh God, this is worse than I thought. My friend (who normally has VERY high standards when it comes to fanfiction/Mary-Sues) has...well, not recommended this to me, but she said it wasn't bad. My uncle has said that it's very good. My English teacher (who is a P&P junkie) said she fell asleep within the first two lines, but she suggested that the people in our class could watch it.
GAH!
I know diddly about Jane Austen apart from that I'm bored to death even hearing the name (especially as the first line of P&P is a false truth). But this sounds like a total crack fic from what I read. Weapons free, people, weapons free.
(especially as the first line of P&P is a false truth)
Yes, it's intentionally false: she is mocking people who think that any single man in possession of a large fortune must be in want of a wife. Miss Austen has quite a bit of biting satire in her book. Contrary to certain adaptations, it's not just about who ends up with whom romantically.
That's the other thing that bothered me. As stupid as "Lost in Austen" is, it's also not funny!
Okay, since she knows it's false, then I've gained a bit more respect for her.
I mean, ignoring those who are gay, some men just don't want marriage or even female companionship.
Quite frankly, I don't understand the point of that fanfic at all. I had the joy of writing a ten-page research paper on P&P for a class last semester, analyzing what I felt the author was trying to accomplish, and LiA threw it all out the window. It's not even badslash or wish fulfillment, near as I can tell-unless the fanfic author knew nothing of the time period, living in nineteenth century England would not be remotely considered wish fulfillment.
I confess that I'm not as inclined towards violence as some of y'all with this one-it's really not worthy of any animosity from me. It has no redeeming values, but no especially damning traits either, beyond the usual laundry list of canon rape, character derailment, etc.
it's actually a TV programme. If it were a fanfic, I don't know whether people would be showing so much animosity towards it, but since it's actually on TV... yeah.
But count Agent Trojie in, so very much.