Subject: Thanks for all the feedback!
Author:
Posted on: 2013-10-19 00:06:00 UTC
I mean, damn...
A lot of the things about Zerenze's thoughts and feelings are things that are explained in Halo canon. A lot of it is stuff that I could've explained, but talking about everything I found out through wiki-surfing in all likelihood would've crippled the pacing of the interlude. (The Halo Wiki is friggin' extensive on this subject, and there's no way I'd be able to include everything there.) Long story short, the sense I got from wikisurfing was that sangheili look at intimacy the same way a scientist might look at genetics (and yes, I do mean to use that comparison exactly): there are those that do get married and there was a short in Halo: Legends that does confirm that they're capable of intimacy in the sense that humans would understand, but there's quite a bit of stuff in there that implies that their societal structure and their culture demands that the institution of marriage--and their capacity for intimacy--be a touch more fluid than in most human cultures.
But your turnabout idea... Hm... The plotbunnies are already attacking. I'll have to follow up on that at some point.
As for the progression of the relationship... honestly, I'm aware that this isn't a great thing, but I did go into that with the idea that their relationship was building over all the previous times they saw each other. I think the most extensive it got was in the previous interlude, but they talk to each other at other points too (Zerenze even tagged along for Mission 6 of this RC, mostly 'cause DoSAT ended up needing some tech from the Cameron!Avatar continuum.). But yeah, they've had plenty of interaction by this point, so... yeah.
Maria la O... Actually, the deal with her was that her existence, and in some ways her function in the interlude, was kind of an in-joke. The problem is that it's an in-joke that nobody outside of my ethnicity would really get. I actually did almost explain it when Eusabius and Zerenze leave the apartment, but I ended up leaving it out in the name of narrative pacing.
The gist is this: Maria la O was the name of a tragic prostitute character from a zarzuela Lecuona wrote by the name of... well... Maria la O. In fact, she's also the name of one of Lecuona's more well-known tunes-- you can actually find it here: http://www.youtube.com/watch?v=2yqGgIF6K70. The idea was that, since she was originally a prostitute, Eusabius would've been more comfortable confiding in her, especially since she turned out to be a pretty good friend to him in the end. There is actually a hint of this in the Spanish, too: Maria generally uses a pet name whenever she talks to Eusabius ("ganso lindo" is "handsome goose"), and she also uses the informal form of "you" whenever she addresses him. But yeah, the idea was that Eusabius knew she probably wouldn't mind, and I'm sure you know by now that there is very little that can faze Eusabius. But... um... yeah, I'll admit I didn't really think about it from Zerenze's point of view.
The mention of no sexual relations might've been from my currently in-revision-phase mission, so... I dunno. The plan was originally to get it to that point, but I ended up scrapping it 'cause I figured "no, Eusabius is the kind of guy who would take it slower than that". I probably should've changed the dialogue a touch to reflect that, so that's an oversight on my part.
Yeah, Eusabius just floats over everything. You know how it is.
Thanks for all the feedback on that!