Late-ish response, but still.

I've thought of doing a ponies mission, although it'd have to be either a cowrite or done with a consultant--I've seen all of, oh, one episode ever. I do, however, want to see Kozar as a pony--or Dawn, or both, aaah--and watching agents flail around in a continuum they don't know (crossed with one they do know, if they're DIC) sounds like a lot of fun. I don't currently have a candidate, though.

As for the wated, to add to what Scape said: it seems to act rather a lot like a tribble in that it shrieks at Klingons. As it looks like a (black, I think?) tribble with fangs...Klingons react to it in much the same way as they do to tribbles, at least going by Kozar.

Er... pass.

Rina and Zeb adopted the wated from their Rose Potter mission (part 5, if memory serves); beyond it being a small furry thing that likes to eat paper, we know very little about this strangely adorable spelling error. =]

Why? Not that I object to bugle music or anything, but I can't figure out why the military 'extinguish lights' call--also played at *funerals*--would fit here.

(And yes, the fact that I looked that up is what's keeping this post from simply reading, 'huh? Explain, please?' Although, to be fair, all over done is find out more detail to go 'huh?' about.)

On another note, if you actually know how to play a bugle IRL, that's really cool.

~DF

a) It's a Klingon insult that doesn't have a translation, but it's implied to be extremely vulgar and insulting. So... an F-you on linguistic steroids? The fact that she muttered it makes it even more insulting (at least in Klingon culture).

b) ...that's actually the other way around. Rina had more of an "Oh my god she's hot" moment than anything, and the Reader had to pretty quickly dissuade her. Is... that not clear?

Of course there should be some scene divider, or a new chapter, but point-of-view tags are offending.

Supposed I showed the readers Mafalda Hopkirk sitting in the Trace room, watching the Trace report of the Battle of the DOM and organizing counter measures. Then, after a scene divider, I show the readers Constable Bulstrode taking the elevators down to the Atrium and walking to the watchwizards security desk. Why on earth should I tell the readers that the first scene is "Hopkirk’s POV" and the second scene is "Bulstrode’s POV"?

It’s a bit trickier with First Person. For one, the tone of the narration should change, showing that another person is narrating now. Then, the readers should get clues from the narration. They hopefully still remember whom Hopkirk sent down to the Atrium in the last scene (but I may pull off a surprise by having another narrator also going down their).

So, I would put up point-of-view tags because I don’t trust my reader’s ability to understand what’s going on there in plain sight? Or because I don’t trust my ability to show what’s going on in the narrative (in which case I should continue writing to improve my skills, but I probably shouldn’t go public yet)? Or because I’m too lazy to even try? Can there be any other reason?

HG

Nice catch. :D

And no I totally wouldn't go around punching walls for the heck of it just because I could, why are you looking at me like that.

There's a much simpler explanation.