Subject: Re: prompt
Author:
Posted on: 2018-01-04 12:53:00 UTC

This piece does a great job of completely subverting expectations from the beginning versus the end. The opening feels like the same carefree banter from any mission. Kara's reassurances to herself set the reader up to assume Daichi does turn out to be okay.

The use of the eyes in the stars and sun is fun, because it kind of mirrors the change in tone just before the change occurs: Kara first finds the eye-stars kind of interesting to look at, if weird. The next morning, though, seeing the sun-eye wink at her disturbs her instead, and foreshadows what's about to happen.

The death scene . . . I think it's well done, though I never really enjoy such things, so it's a little hard for me to analyze it. If nothing else, it certainly works as a tone contrast to the beginning.

Some errors: (Sorry if these are repeats from other comments; I didn't read the others.)

". . . hours of imagining all the horrible things that could've went wrong, Kara managed to sleep."
The simple past form of "go" is "went," but when you add "have," it becomes "have gone" instead.

"Just as she was about to settle into her usual groove, she looked over at Daichi's bed and panicked, she looked left to right but. . . Daichi was nowhere to be seen."
You've got two separate clauses here. The point between "panicked" and "she" should either separate them with a period after "panicked," or change the comma there to a semicolon.

"Kara's adrenaline levels spiked, her mind was going haywire."
You've got two different verb tenses here. You can either make them match [(levels were spiking/mind was going) or (levels spiked/mind went)], or you can change the comma to a semicolon to make the two clauses separate and therefore able to carry different verb tenses.

—doctorlit, getting ready for work, like, now!

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