Subject: Wild Mountain Time, Chapter II: The Oath.
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Posted on: 2018-04-11 09:35:00 UTC

The late morning sun shone down on the Welsh beach. The sea was calm, the low ripples catching the light and throwing it back in eye-catching glints. Jacob stopped, towel wrapped around him, to look out at the ocean, and raised a hand in response to his family's waves, but he had no interest in rejoining them. Maybe later, once the sea breeze had died down.

Warmed by the sun, the stony slope made a surprisingly comfortable seat. Jacob draped his towel over his legs and picked up his book. Wizardry Through the Ages, the cover said, traces of gold leaf sparkling in the corners of the letters. "Let's see what you are," he murmured, turning to the first page.

It started out as a history. Actually, it started out with a dedication - simply For you - but Jacob just rolled his eyes at that and moved on.

The history section was written as a string of short narratives, and jumped around a lot. It began in the Roman era, with a story of a Romano-British woman trying to mediate a conflict between her two peoples. It felt kind of like a Rosemary Sutcliff novel, but with magic - Orcivia treated magic (or 'wizardry', per the book) as a fact of life, working spells for even the smallest reason.

Jacob found the story enthralling, despite - or perhaps because of - the strange flowing script in which Orcivia's spells were written out. He couldn't read them, obviously, but the lines and circles somehow managed to convey their meaning regardless.

All too soon, Orcivia's story ended, and the book slipped into another timeframe - either pre- or post-Roman, Jacob couldn't tell. The tale of Gwydion's battle with the Lonely Power that ruled the Otherworld rang faint bells, especially once the name of Taliesin started showing up, but Jacob found himself more interested in the spells Gwydion used to enchant the trees and call them to his aid. They were written out as very Tolkienesque poems, or seemed to be - though they were in that same curling script used for Orcivia's, he found that by now he could almost grasp the actual words. Alder to the front, forming the vanguard - something like that, anyway.

The book shifted again, into what was recognisably a more modern setting. This time the wizard was a young girl, out to fight a Power that wanted to rain darkness on the land. The story had a definite Susan Cooper vibe, and Jacob read it avidly.

The spells were different again, here written out as something close to prayers; the swirling script actually amplified the impression that these were requests of the universe, rather than the demands he might have expected. When Annette asked the hillside to rise up against the Dark, it was the landscape's choice to respond.

And then she lost. Jacob read in mounting horror as the girl's weapon against the enemy Power went awry, as it slipped out of her control, as the hillside fell to consume her and her village alike. He kept turning the pages, hunting for the twist - the reveal that she had somehow saved the day - but it wasn't there.

The book abandoned narrative. This, it explained, was what wizardry was for - to thwart the machinations of the Lone Power, and to slow (but never stop) the running-down of the universe. Sometimes that meant fighting. Sometimes it meant knowing when not to fight. And sometimes it meant sacrifice - or simple failure.

Nothing was guaranteed, the book said. Being on the side of Good didn't mean you always won. The Lone Power was ancient and cunning and powerful beyond measure. Standing against It was a fool's errand… but when the life of the universe was at stake, how could you not?

The next page was set with a single, simple block of text, almost a poem. There were warnings attached - that once spoken, the Oath was binding, and that breaking it would have capital-C Consequences.

Jacob read the warnings with a distinct air of skepticism. Sadly, magic (almost?) certainly wasn't real. But... even if the whole thing was fictional, it wasn't like the Oath wasn't a good thing to live up to anyway. So what was the harm in saying it?

"In Life's name-" The roar of the sea seemed to fade, and Jacob looked up, shocked at how loud his voice sounded. But everything was as it should be. He swallowed, shook his head as if to clear it, and looked down at the page again.

"In Life's name," he read, his throat dry, "and for Life's sake, I swear that I will employ the Art which is Its gift in Life's service alone…"



Author's Miscellaneous Notes:
-Names continue to be changed to protect the guilty.
-Orcivia is my own invention. Gwydion comes from the Mabinogion, and is the source of the term 'Battle of the Trees'. Annette's story is intended to evoke the Aberfan disaster, which - in a world where children are inducted as wizards - is as clear an example of a failed Ordeal as you can get.
-It is possible that some or all of the history section is a Chekov's Gun. I'll find out when I write that far. ^_^
-I take the view that the written form of the Speech is like the spoken form - it's a fundamental language which everyone can understand to some extent. Alternately, that could just be the Manual at work, feeding me power a little in advance.
-You have not seen the last of the classic fantasy literature references.

hS

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